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[music]

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[music]

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[music]

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[music]

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[music]

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[music]

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[music]

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[music]

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[music]

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[music]

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[music]

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[music]

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[music]

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[music]

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[music]

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[music]

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This is the pulping of films. Here

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films die. Actually it would be more

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exactly to say they kill them. Few know that

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after a very rapid career of

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successes or failures, an end

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inexorably awaits all films

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cinematic.

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Celluloid and the silver salts that form it

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compose are too precious materials

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so as not to be recovered.

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You have to work on them extremely

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precaution because celluloid is

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highly flammable, burns like a

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explosive. Here the works of cinema yes

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they evaluate by weight.

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A warm bath separates the gelatin

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with silver salts he formed the image

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photographic from its support

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celluloid.

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And the precious ribbon, once

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highly sought after by screening rooms,

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It comes out white and transparent after washing.

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It only takes a few minutes to destroy the

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work of months, sometimes years, which

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it cost millions, effort and ingenuity. Like this

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works that have disappeared forever

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maybe today we would love to see you again. Even with

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cinema men write their own

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history. Unfortunately cinema doesn't last, if

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he even loses it in a short time

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I remember.

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Here comes another one

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load.

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Look at that old man

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sneaks into the establishment like a

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thief. It's a waste rat. Goes to

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hunt for old films like the

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botanist looking for flowers [music]

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rare. he wanders around with his briefcase among

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the stacks of film, hoping to

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discover some precious songs from

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save. The workers do

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they know and always find him among them

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feet. They let him do it because he

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they consider it a little crazy but harmless.

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His name is Ettore Omeri, actually [music]

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to be more exact Grand Officer

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Ettore Omeri, former actor from the times of

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silent, which is, so to speak, prehistory

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of the cinema.

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The director of the pulp mill already has it

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kicked out many times, but it's possible that

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hasn't yet understood that the old ones

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movies cannot be saved. Indeed

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their [music] destruction is not alone

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an economically profitable operation,

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145
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it is an absurd contractual obligation. But

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147
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Omeri pleads, begs, speaks in name

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of art with a capital letter and at the end

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[music] too this time

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they satisfy.

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an episode from his life

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collector. Episode that at a

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near [music] it really happened

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161
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not many years ago, when they didn't exist

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still the cinematographic ones, so to speak, the

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film libraries, which, among

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the other, I just happened [music]

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thus, taking some away from the waste

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piece of film.

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173
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>> Where is Mariannina?

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175
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>> And you don't know where it is? It's locked in there

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all day.

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>> No one came looking for me.

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181
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>> Yes, two nuns.

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>>Customers always come when I don't

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there are.

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>> And wait to get angry. They talked

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with Mariannina and they said that

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they will come back

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>> when

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>> they didn't say that.

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>> Ah!

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>> [music]

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>> Murderer, do you want my death? Not it

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you know that films are more explosive

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of dynamite?

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207
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Any day now you'll blow up

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place all the deposit here.

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>> But I'm careful.

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>> If I catch you smoking again I'll fire you.

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>> No, no.

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>> Didn't anyone come looking for me?

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219
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>> No, none.

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221
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>> Nobody? Two nuns came, two

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customers and you know nothing about it. You don't

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tell me anything.

226
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227
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>> And if you know why are you asking me?

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229
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>> And I know because your mother told me.

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Where's your head?

232
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233
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>> Here it is

234
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235
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cinema makes us see it.

236
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237
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>> Come on, half an hour.

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239
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>> Come on guys, get out of there, it's not

240
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241
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stuff for you. Go. I think I found it

242
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243
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the last reel of a young man's novel

244
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245
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poor. Thus we will have a complete work

246
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247
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of the menich and we could do the

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an anthology of the divas.

250
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251
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>> What is the anthology?

252
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253
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>> A choice. No, how do you make a bunch of

254
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255
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flowers?

256
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257
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>> Ah, I understand. Make a bouquet with them

258
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259
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actresses.

260
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261
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>> Eh, good. Go, go, go, go. Sit down

262
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263
00:06:35,080 --> 00:06:41,000
there, go over these films, clean them

264
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265
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well, do the splices. Ah, these comics.

266
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267
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Put on gloves.

268
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269
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>> I also have to wear gloves for this

270
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271
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movie rags. Look at that grease.

272
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273
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Wash them with tetrachloride.

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Oh, is it her?

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277
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Yes,

278
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279
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it's her,

280
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281
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Duse.

282
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283
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>> Who?

284
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285
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Eleonora Duse, the greatest actress of

286
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287
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Italian theatre.

288
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289
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>> Really? And who knows her?

290
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291
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>> And to think that without me this too

292
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293
00:07:51,920 --> 00:07:58,400
piece ended up in waste, destroyed,

294
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295
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canceled forever.

297
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And do it, you damned thief, use mine

298
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299
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accatone for your nails. Go away

300
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301
00:08:02,720 --> 00:08:05,960
that I will never see you here again. Go!

302
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303
00:08:04,480 --> 00:08:06,600
>> Uh, so many stories! Now I'll give it to you

304
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305
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buy back.

306
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307
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>> I painted your nails red. You don't know who

308
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309
00:08:08,360 --> 00:08:12,480
was it the honorause? After you. Who is?

310
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311
00:08:11,600 --> 00:08:14,400
Is it possible?

312
00:08:12,470 --> 00:08:14,400



313
00:08:12,480 --> 00:08:15,200
>> Oh, they're the ones from before.

314
00:08:14,390 --> 00:08:15,200



315
00:08:14,400 --> 00:08:17,520
>> Good morning.

316
00:08:15,190 --> 00:08:17,520



317
00:08:15,200 --> 00:08:19,800
>> Good morning, sisters. They want one

318
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319
00:08:17,520 --> 00:08:20,280
show, I guess. Please, yes

320
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321
00:08:19,800 --> 00:08:22,320
they accommodate.

322
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323
00:08:20,280 --> 00:08:22,600
>> Thanks, no need. She is the knight

324
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325
00:08:22,320 --> 00:08:23,920
Mary

326
00:08:22,590 --> 00:08:23,920



327
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>> to serve them.

328
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329
00:08:23,920 --> 00:08:28,080
>> We got his address from his mother

330
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331
00:08:25,600 --> 00:08:29,640
Josephine. She put on a show

332
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333
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at St. Anthony's Orphanage.

334
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335
00:08:29,640 --> 00:08:33,680
>> Yes. And mother Giuseppina remained

336
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337
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very happy. In fact we are of

338
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339
00:08:33,680 --> 00:08:37,840
purification college and tomorrow

340
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341
00:08:36,080 --> 00:08:39,960
Let's celebrate our birthday

342
00:08:37,830 --> 00:08:39,960



343
00:08:37,840 --> 00:08:40,600
mother superior. There will be ladies

344
00:08:39,950 --> 00:08:40,600



345
00:08:39,960 --> 00:08:42,240
patronesses.

346
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347
00:08:40,600 --> 00:08:43,080
>> So you thought about organizing one

348
00:08:42,230 --> 00:08:43,080



349
00:08:42,240 --> 00:08:44,840
nice projection

350
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351
00:08:43,080 --> 00:08:46,760
>> and we are here precisely for this reason

352
00:08:44,830 --> 00:08:46,760



353
00:08:44,840 --> 00:08:48,720
>> most honored. I'll present one to them

354
00:08:46,750 --> 00:08:48,720



355
00:08:46,760 --> 00:08:50,680
film review with address form

356
00:08:48,710 --> 00:08:50,680



357
00:08:48,720 --> 00:08:52,560
educational and recreational facilities of the college

358
00:08:50,670 --> 00:08:52,560



359
00:08:50,680 --> 00:08:54,800
>> and could we see something?

360
00:08:52,550 --> 00:08:54,800



361
00:08:52,560 --> 00:08:56,360
>> Certainly certainly.

362
00:08:54,790 --> 00:08:56,360



363
00:08:54,800 --> 00:08:58,320
>> Luca Valier a professor of

364
00:08:56,350 --> 00:08:58,320



365
00:08:56,360 --> 00:09:01,360
cinema

366
00:08:58,310 --> 00:09:01,360



367
00:08:58,320 --> 00:09:03,080
>> modestly I have been in art for 40 years.

368
00:09:01,350 --> 00:09:03,080



369
00:09:01,360 --> 00:09:04,560
Mariannina, close the windows, prepare

370
00:09:03,070 --> 00:09:04,560



371
00:09:03,080 --> 00:09:07,000
the gramophone, put on the usual record and

372
00:09:04,550 --> 00:09:07,000



373
00:09:04,560 --> 00:09:09,960
When I signal to you, attack. Sisters,

374
00:09:06,990 --> 00:09:09,960



375
00:09:07,000 --> 00:09:10,480
please sit down here so they can see

376
00:09:09,950 --> 00:09:10,480



377
00:09:09,960 --> 00:09:12,400
better.

378
00:09:10,470 --> 00:09:12,400



379
00:09:10,480 --> 00:09:13,080
>> But sorry, yours are not films

380
00:09:12,390 --> 00:09:13,080



381
00:09:12,400 --> 00:09:15,160
sonorous.

382
00:09:13,070 --> 00:09:15,160



383
00:09:13,080 --> 00:09:15,960
>> I'm that.

384
00:09:15,150 --> 00:09:15,960



385
00:09:15,160 --> 00:09:18,360
>> And the spoken word

386
00:09:15,950 --> 00:09:18,360



387
00:09:15,960 --> 00:09:20,680
>> spoken naturally, I'll take care of it.

388
00:09:18,350 --> 00:09:20,680



389
00:09:18,360 --> 00:09:21,320
>> Ah, if he wants I can accompany him to

390
00:09:20,670 --> 00:09:21,320



391
00:09:20,680 --> 00:09:22,880
piano.

392
00:09:21,310 --> 00:09:22,880



393
00:09:21,320 --> 00:09:26,720
>> Ah, thanks sister. But to accompany

394
00:09:22,870 --> 00:09:26,720



395
00:09:22,880 --> 00:09:26,720
you have to be a specialist in a film.

397
00:09:29,760 --> 00:09:37,040
Omeri Film has the honor of presenting

398
00:09:33,390 --> 00:09:37,040



399
00:09:33,400 --> 00:09:39,400
Through the centuries, that is, since Giulio

400
00:09:37,030 --> 00:09:39,400



401
00:09:37,040 --> 00:09:41,560
Caesar at the capture of Rome, review

402
00:09:39,390 --> 00:09:41,560



403
00:09:39,400 --> 00:09:44,480
of the most glorious and oldest films

404
00:09:41,550 --> 00:09:44,480



405
00:09:41,560 --> 00:09:46,160
Italian historians. This is great

406
00:09:44,470 --> 00:09:46,160



407
00:09:44,480 --> 00:09:48,840
Julius Caesar who you see was

408
00:09:46,150 --> 00:09:48,840



409
00:09:46,160 --> 00:09:50,400
created way back in 1913 by Enrico

410
00:09:48,830 --> 00:09:50,400



411
00:09:48,840 --> 00:09:52,040
Guazzoni.

412
00:09:50,390 --> 00:09:52,040



413
00:09:50,400 --> 00:09:54,040
Here are Caesar's trimes sailing

414
00:09:52,030 --> 00:09:54,040



415
00:09:52,040 --> 00:09:56,200
towards Greece. Caesar goes to fight

416
00:09:54,030 --> 00:09:56,200



417
00:09:54,040 --> 00:09:58,560
the last battle against Pompey, his

418
00:09:56,190 --> 00:09:58,560



419
00:09:56,200 --> 00:10:00,360
hated rival. Cesare studies

420
00:09:58,550 --> 00:10:00,360



421
00:09:58,560 --> 00:10:02,120
his war plans carefully.

422
00:10:00,350 --> 00:10:02,120



423
00:10:00,360 --> 00:10:03,880
Here he is under his tent, the

424
00:10:02,110 --> 00:10:03,880



425
00:10:02,120 --> 00:10:07,250
character played by Hamlet

426
00:10:03,870 --> 00:10:07,250



427
00:10:03,880 --> 00:10:07,250
Nobelli. [music]

429
00:10:12,920 --> 00:10:17,400
After various events the two great and

430
00:10:15,190 --> 00:10:17,400



431
00:10:15,200 --> 00:10:18,920
bitter rivals find themselves aligned

432
00:10:17,390 --> 00:10:18,920



433
00:10:17,400 --> 00:10:21,520
with their armies for the test

434
00:10:18,910 --> 00:10:21,520



435
00:10:18,920 --> 00:10:23,960
supreme. Pompey's army is more

436
00:10:21,510 --> 00:10:23,960



437
00:10:21,520 --> 00:10:28,040
strong. Caesar's is decimated by

438
00:10:23,950 --> 00:10:28,040



439
00:10:23,960 --> 00:10:28,040
fatigue and fighting.

441
00:10:30,120 --> 00:10:34,400
[music]

442
00:10:31,870 --> 00:10:34,400



443
00:10:31,880 --> 00:10:36,670
To Caesar the genius of battle and God

444
00:10:34,390 --> 00:10:36,670



445
00:10:34,400 --> 00:10:38,690
of the war he will defeat Pompey.

446
00:10:36,660 --> 00:10:38,690



447
00:10:36,670 --> 00:10:38,690
>> [music]

449
00:10:41,250 --> 00:10:43,270
[music]

451
00:10:47,150 --> 00:10:49,170
[music]

453
00:10:53,700 --> 00:10:55,720
[music]

455
00:11:00,250 --> 00:11:02,270
[music]

457
00:11:04,830 --> 00:11:08,680
[music]

458
00:11:06,270 --> 00:11:08,680



459
00:11:06,280 --> 00:11:11,960
>> เ The army

460
00:11:08,670 --> 00:11:11,960



461
00:11:08,680 --> 00:11:15,000
of Pompeo is in rout. Caesar won and

462
00:11:11,950 --> 00:11:15,000



463
00:11:11,960 --> 00:11:18,560
Rome decrees his triumph. Soon

464
00:11:14,990 --> 00:11:18,560



465
00:11:15,000 --> 00:11:18,560
the hymn of triumph.

467
00:11:23,520 --> 00:11:29,680
Here. Be careful,

468
00:11:26,670 --> 00:11:29,680



469
00:11:26,680 --> 00:11:29,680
attack.

471
00:11:34,960 --> 00:11:36,980
>> [music]

473
00:11:40,860 --> 00:11:42,880
[music]

475
00:11:45,120 --> 00:11:50,760
>> And here we are at the fateful Ides of March

476
00:11:47,590 --> 00:11:50,760



477
00:11:47,600 --> 00:11:53,400
of the year 44.

478
00:11:50,750 --> 00:11:53,400



479
00:11:50,760 --> 00:11:55,120
Caesar goes to the Senate to take his leave

480
00:11:53,390 --> 00:11:55,120



481
00:11:53,400 --> 00:11:59,120
and on the eve of departure why

482
00:11:55,110 --> 00:11:59,120



483
00:11:55,120 --> 00:11:59,120
must fight the Parthians.

485
00:12:05,090 --> 00:12:07,110
>> [music]

487
00:12:08,120 --> 00:12:12,280
>> But I'm stopped by a conspiracy hatched by his people

488
00:12:10,310 --> 00:12:12,280



489
00:12:10,320 --> 00:12:16,400
same most faithful friends they wanted

490
00:12:12,270 --> 00:12:16,400



491
00:12:12,280 --> 00:12:16,400
free Rome from its tyranny.

493
00:12:18,190 --> 00:12:22,760
[music] And it's quite a brute, considering

494
00:12:20,190 --> 00:12:22,760



495
00:12:20,200 --> 00:12:26,000
by him as a son who kills him. You

496
00:12:22,750 --> 00:12:26,000



497
00:12:22,760 --> 00:12:30,000
my brut cooks! The pierced exclaims.

498
00:12:25,990 --> 00:12:30,000



499
00:12:26,000 --> 00:12:30,000
Then fall, O Caesar!

501
00:12:30,560 --> 00:12:35,880
The faithful Marcantonio vows to avenge

502
00:12:32,670 --> 00:12:35,880



503
00:12:32,680 --> 00:12:37,900
the beloved boss.

504
00:12:35,870 --> 00:12:37,900



505
00:12:35,880 --> 00:12:37,900
[music]

507
00:12:41,120 --> 00:12:43,140
[music]

509
00:12:44,080 --> 00:12:49,640
Mourning, terrible mourning for Rome. All the

510
00:12:47,550 --> 00:12:49,640



511
00:12:47,560 --> 00:12:53,620
the people pay their final farewell to

512
00:12:49,630 --> 00:12:53,620



513
00:12:49,640 --> 00:12:53,620
glorious body. [music]

515
00:12:56,840 --> 00:13:01,400
Roman citizens shouts Mark Antony. Lo

516
00:12:59,710 --> 00:13:01,400



517
00:12:59,720 --> 00:13:04,440
Caesar's mangled body asks

518
00:13:01,390 --> 00:13:04,440



519
00:13:01,400 --> 00:13:08,880
justice and revenge, but the cries of

520
00:13:04,430 --> 00:13:08,880



521
00:13:04,440 --> 00:13:08,880
crowd cover Marcantonio's voice.

523
00:13:09,940 --> 00:13:11,960
[music]

525
00:13:15,830 --> 00:13:17,850
[music]

527
00:13:21,730 --> 00:13:23,750
[music]

529
00:13:28,040 --> 00:13:31,640
End of the first episode

530
00:13:30,590 --> 00:13:31,640



531
00:13:30,600 --> 00:13:32,560
>> what do I put in it?

532
00:13:31,630 --> 00:13:32,560



533
00:13:31,640 --> 00:13:34,680
>> King of the heavens.

534
00:13:32,550 --> 00:13:34,680



535
00:13:32,560 --> 00:13:37,920
>> Ready with the king of heaven.

536
00:13:34,670 --> 00:13:37,920



537
00:13:34,680 --> 00:13:40,640
>> Attention, 44 years after the death of

538
00:13:37,910 --> 00:13:40,640



539
00:13:37,920 --> 00:13:43,880
Caesar was born in Bethlehem a child in

540
00:13:40,630 --> 00:13:43,880



541
00:13:40,640 --> 00:13:43,880
a stable.

543
00:13:47,270 --> 00:13:54,880
[music]

544
00:13:48,550 --> 00:13:54,880



545
00:13:48,560 --> 00:13:57,120
The wise men went there for the king.

546
00:13:54,870 --> 00:13:57,120



547
00:13:54,880 --> 00:13:59,760
Observe [music] the suggestive

548
00:13:57,110 --> 00:13:59,760



549
00:13:57,120 --> 00:14:05,800
lighting of this scene from the film

550
00:13:59,750 --> 00:14:05,800



551
00:13:59,760 --> 00:14:05,800
Christus filmed in Rome in 1915.

553
00:14:07,040 --> 00:14:11,960
To kill Jesus Herod ordered him

554
00:14:10,030 --> 00:14:11,960



555
00:14:10,040 --> 00:14:15,520
extermination of all the children of

556
00:14:11,950 --> 00:14:15,520



557
00:14:11,960 --> 00:14:19,680
Galilee, but now the ghosts of the victims

558
00:14:15,510 --> 00:14:19,680



559
00:14:15,520 --> 00:14:22,360
innocent people persecute him.

560
00:14:19,670 --> 00:14:22,360



561
00:14:19,680 --> 00:14:25,260
The holy family is safe and is

562
00:14:22,350 --> 00:14:25,260



563
00:14:22,360 --> 00:14:27,280
refugee. in Egypt.

564
00:14:25,250 --> 00:14:27,280



565
00:14:25,260 --> 00:14:27,280
[music]

567
00:14:33,130 --> 00:14:35,150
[music]

569
00:14:39,020 --> 00:14:41,200
[music]

570
00:14:40,230 --> 00:14:41,200



571
00:14:40,240 --> 00:14:44,040
>> Stop!

572
00:14:41,190 --> 00:14:44,040



573
00:14:41,200 --> 00:14:45,800
>> What do you say? Stop, put the number seven,

574
00:14:44,030 --> 00:14:45,800



575
00:14:44,040 --> 00:14:48,160
>> speak as God made you.

576
00:14:45,790 --> 00:14:48,160



577
00:14:45,800 --> 00:14:50,960
>> And that Jerusalem where Jesus came

578
00:14:48,150 --> 00:14:50,960



579
00:14:48,160 --> 00:14:53,240
crucifix falls into the hands of the infidels and

580
00:14:50,950 --> 00:14:53,240



581
00:14:50,960 --> 00:14:55,920
only many centuries later will they come

582
00:14:53,230 --> 00:14:55,920



583
00:14:53,240 --> 00:14:57,800
crusaders to free her.

584
00:14:55,910 --> 00:14:57,800



585
00:14:55,920 --> 00:15:00,480
Here is an episode inspired by the famous

586
00:14:57,790 --> 00:15:00,480



587
00:14:57,800 --> 00:15:02,200
Torquato's poem Gerusalemme liberata

588
00:15:00,470 --> 00:15:02,200



589
00:15:00,480 --> 00:15:03,960
Rate.

590
00:15:02,190 --> 00:15:03,960



591
00:15:02,200 --> 00:15:06,600
The crusaders move to attack the

592
00:15:03,950 --> 00:15:06,600



593
00:15:03,960 --> 00:15:08,360
walls of Jerusalem.

594
00:15:06,590 --> 00:15:08,360



595
00:15:06,600 --> 00:15:10,200
Enricio Guazzoni, the creator

596
00:15:08,350 --> 00:15:10,200



597
00:15:08,360 --> 00:15:12,520
incomparable of many of our films

598
00:15:10,190 --> 00:15:12,520



599
00:15:10,200 --> 00:15:15,520
historical, created this work in

600
00:15:12,510 --> 00:15:15,520



601
00:15:12,520 --> 00:15:15,520
1917.

603
00:15:17,010 --> 00:15:19,030
[music]

605
00:15:23,560 --> 00:15:25,580
>> [music]

607
00:15:32,730 --> 00:15:34,750
[music]

609
00:15:39,280 --> 00:15:41,300
[music]

611
00:15:44,520 --> 00:15:46,540
[music]

613
00:15:49,080 --> 00:15:52,960
>> เ

614
00:15:50,350 --> 00:15:52,960



615
00:15:50,360 --> 00:15:55,080
Attention, fourth episode. The

616
00:15:52,950 --> 00:15:55,080



617
00:15:52,960 --> 00:15:57,480
Italian Risorgimento claims unity

618
00:15:55,070 --> 00:15:57,480



619
00:15:55,080 --> 00:15:59,480
and the independence of Italy. Tulio

620
00:15:57,470 --> 00:15:59,480



621
00:15:57,480 --> 00:16:02,240
Carminati plays the countyman

622
00:15:59,470 --> 00:16:02,240



623
00:15:59,480 --> 00:16:04,280
Lamberti in the romance film that the

624
00:16:02,230 --> 00:16:04,280



625
00:16:02,240 --> 00:16:06,640
director Rigo Frusta drew from the

626
00:16:04,270 --> 00:16:06,640



627
00:16:04,280 --> 00:16:08,680
drama by Gerolamo Robetta. We are n

628
00:16:06,630 --> 00:16:08,680



629
00:16:06,640 --> 00:16:10,800
back room of the Anperti pharmacy,

630
00:16:08,670 --> 00:16:10,800



631
00:16:08,680 --> 00:16:13,080
egg of the conspirators. The Comtel Lamberti,

632
00:16:10,790 --> 00:16:13,080



633
00:16:10,800 --> 00:16:15,720
great patriot, associates with Jupiter

634
00:16:13,070 --> 00:16:15,720



635
00:16:13,080 --> 00:16:18,400
Italy and takes his oath. In

636
00:16:15,710 --> 00:16:18,400



637
00:16:15,720 --> 00:16:20,840
name of God and of Italy, I, Vitaliano

638
00:16:18,390 --> 00:16:20,840



639
00:16:18,400 --> 00:16:23,000
Lamberti, I give my name to Gen Italia

640
00:16:20,830 --> 00:16:23,000



641
00:16:20,840 --> 00:16:26,400
and I swear to be faithful to the saint

642
00:16:22,990 --> 00:16:26,400



643
00:16:23,000 --> 00:16:26,400
Italian cause.

645
00:16:27,240 --> 00:16:33,200
Meanwhile at the Teatro alla Scala the

646
00:16:28,870 --> 00:16:33,200



647
00:16:28,880 --> 00:16:33,200
students praise Italy.

649
00:16:33,650 --> 00:16:35,670
[music]

651
00:16:41,840 --> 00:16:46,840
The Austrian officers abandon the

652
00:16:43,830 --> 00:16:46,840



653
00:16:43,840 --> 00:16:46,840
audience.

655
00:16:47,400 --> 00:16:49,420
[music]

657
00:16:53,300 --> 00:16:55,320
[music]

659
00:16:56,520 --> 00:17:01,760
Giacomino, Vitaliano's brother-in-law, challenges

660
00:16:59,510 --> 00:17:01,760



661
00:16:59,520 --> 00:17:05,000
an Austrian officer and shouts at him

662
00:17:01,750 --> 00:17:05,000



663
00:17:01,760 --> 00:17:09,960
say: "I'd love to eat this

664
00:17:04,990 --> 00:17:09,960



665
00:17:05,000 --> 00:17:09,960
a pork steak tonight?"

667
00:17:10,330 --> 00:17:12,350
[music]

669
00:17:14,260 --> 00:17:16,280
[applause]

671
00:17:16,600 --> 00:17:21,240
But the traitor Ceschi, secretary of the

672
00:17:18,830 --> 00:17:21,240



673
00:17:18,840 --> 00:17:25,080
Count, tries to seduce the countess

674
00:17:21,230 --> 00:17:25,080



675
00:17:21,240 --> 00:17:25,080
Anna, Lamberti's wife.

677
00:17:29,520 --> 00:17:34,620
She rejects him indignantly.

678
00:17:32,590 --> 00:17:34,620



679
00:17:32,600 --> 00:17:34,620
[music]

681
00:17:35,640 --> 00:17:41,880
Then Vile Ceschi will report [music]

682
00:17:37,630 --> 00:17:41,880



683
00:17:37,640 --> 00:17:41,880
the countyman to the police.

685
00:17:47,660 --> 00:17:49,680
>> [music]

687
00:17:52,900 --> 00:17:54,920
[music]

689
00:17:57,490 --> 00:17:59,510
[music]

691
00:18:04,690 --> 00:18:06,710
[music]

693
00:18:11,240 --> 00:18:13,260
[music]

695
00:18:15,040 --> 00:18:20,040
>> Leave at least.

696
00:18:16,830 --> 00:18:20,040



697
00:18:16,840 --> 00:18:23,000
Leave it to our Risorgimento

698
00:18:20,030 --> 00:18:23,000



699
00:18:20,040 --> 00:18:25,440
Italian is on the march. Garibaldi and the 1000

700
00:18:22,990 --> 00:18:25,440



701
00:18:23,000 --> 00:18:28,640
they landed in Sicily. All the

702
00:18:25,430 --> 00:18:28,640



703
00:18:25,440 --> 00:18:30,800
people rose up. Even women

704
00:18:28,630 --> 00:18:30,800



705
00:18:28,640 --> 00:18:32,560
they help Garibaldi. Here's [music] one

706
00:18:30,790 --> 00:18:32,560



707
00:18:30,800 --> 00:18:35,320
which comes with important news for

708
00:18:32,550 --> 00:18:35,320



709
00:18:32,560 --> 00:18:38,360
the hero of two worlds.

710
00:18:35,310 --> 00:18:38,360



711
00:18:35,320 --> 00:18:41,430
It is a film from 1912. Director Mario

712
00:18:38,350 --> 00:18:41,430



713
00:18:38,360 --> 00:18:41,430
Caserini. [music]

715
00:18:48,580 --> 00:18:50,600
>> [music]

717
00:18:56,440 --> 00:18:58,460
[music]

719
00:19:01,020 --> 00:19:03,040
[music]

721
00:19:05,610 --> 00:19:07,630
[music]

723
00:19:11,920 --> 00:19:14,160
>> เฮ

725
00:19:18,050 --> 00:19:20,070
>> [music]

727
00:19:23,950 --> 00:19:25,970
[music]

729
00:19:35,080 --> 00:19:37,100
[music]

731
00:19:41,880 --> 00:19:43,960
>> เ

733
00:19:46,680 --> 00:19:51,160
It is this taking of Rome that concludes the

734
00:19:48,790 --> 00:19:51,160



735
00:19:48,800 --> 00:19:53,640
Our review is also the first film

736
00:19:51,150 --> 00:19:53,640



737
00:19:51,160 --> 00:19:57,440
Italian subject made in Italy

738
00:19:53,630 --> 00:19:57,440



739
00:19:53,640 --> 00:20:00,240
way back in 1904 by Filoteo Alberini for

740
00:19:57,430 --> 00:20:00,240



741
00:19:57,440 --> 00:20:03,200
the Chinese house in Rome.

742
00:20:00,230 --> 00:20:03,200



743
00:20:00,240 --> 00:20:05,800
September 20, 1870.

744
00:20:03,190 --> 00:20:05,800



745
00:20:03,200 --> 00:20:08,320
Fateful date. The Bersaglieri are at

746
00:20:05,790 --> 00:20:08,320



747
00:20:05,800 --> 00:20:10,160
gates of Rome. General Casler,

748
00:20:08,310 --> 00:20:10,160



749
00:20:08,320 --> 00:20:12,440
commander of the papal troops,

750
00:20:10,150 --> 00:20:12,440



751
00:20:10,160 --> 00:20:14,800
to the ultimatum presented to him by the general

752
00:20:12,430 --> 00:20:14,800



753
00:20:12,440 --> 00:20:20,320
Carchidio on behalf of Raffaele Cadorna,

754
00:20:14,790 --> 00:20:20,320



755
00:20:14,800 --> 00:20:20,320
he replies with disdain: "No surrender."

757
00:20:30,100 --> 00:20:32,120
>> [music]

759
00:20:36,000 --> 00:20:40,240
>> Carchidio is led away. They blindfold him

760
00:20:38,470 --> 00:20:40,240



761
00:20:38,480 --> 00:20:43,640
eyes because it has to cross the

762
00:20:40,230 --> 00:20:43,640



763
00:20:40,240 --> 00:20:43,640
enemy lines.

765
00:20:46,960 --> 00:20:48,720
The march

766
00:20:47,750 --> 00:20:48,720



767
00:20:47,760 --> 00:20:49,440
>> and shut up what are you doing to me

768
00:20:48,710 --> 00:20:49,440



769
00:20:48,720 --> 00:20:51,320
cheat.

770
00:20:49,430 --> 00:20:51,320



771
00:20:49,440 --> 00:20:53,160
>> The Bersaglieri opened with cannon fire

772
00:20:51,310 --> 00:20:53,160



773
00:20:51,320 --> 00:20:54,360
the breach takes away. The march. The

774
00:20:53,150 --> 00:20:54,360



775
00:20:53,160 --> 00:20:57,240
march.

776
00:20:54,350 --> 00:20:57,240



777
00:20:54,360 --> 00:21:00,200
>> Here it is.

778
00:20:57,230 --> 00:21:00,200



779
00:20:57,240 --> 00:21:03,480
Be careful,

780
00:21:00,190 --> 00:21:03,480



781
00:21:00,200 --> 00:21:03,480
it broke

783
00:21:03,510 --> 00:21:05,530
[laughter]

785
00:21:10,710 --> 00:21:12,730
[laughter]

787
00:21:13,720 --> 00:21:18,840
the Bersaglieri made Italy.

788
00:21:15,870 --> 00:21:18,840



789
00:21:15,880 --> 00:21:21,840
Italy is indivisible. Long live

790
00:21:18,830 --> 00:21:21,840



791
00:21:18,840 --> 00:21:21,840
Italy!

793
00:21:30,360 --> 00:21:32,380
>> [applause]

795
00:21:34,950 --> 00:21:36,970
[applause]

797
00:21:42,400 --> 00:21:49,440
>> And now the comic haunted wrestlers.

799
00:21:49,640 --> 00:21:52,640
เฮ

801
00:21:59,840 --> 00:22:01,860
[music]

803
00:22:05,080 --> 00:22:07,100
[music]

805
00:22:14,900 --> 00:22:16,920
[music]

807
00:22:19,440 --> 00:22:22,440
เฮ

809
00:22:28,010 --> 00:22:30,030
[music]

811
00:22:34,560 --> 00:22:36,580
[music]

813
00:22:43,070 --> 00:22:45,090
[music]

815
00:22:50,760 --> 00:22:56,960
And now the surprise of surprises. Two

816
00:22:54,310 --> 00:22:56,960



817
00:22:54,320 --> 00:22:59,920
short color films, 50 year old color

818
00:22:56,950 --> 00:22:59,920



819
00:22:56,960 --> 00:23:02,680
ago, hand painted as was the custom then.

820
00:22:59,910 --> 00:23:02,680



821
00:22:59,920 --> 00:23:04,360
The wonderful butterflies.

822
00:23:02,670 --> 00:23:04,360



823
00:23:02,680 --> 00:23:06,640
Look at the work of the anonymous

824
00:23:04,350 --> 00:23:06,640



825
00:23:04,360 --> 00:23:08,720
craftsman who hand painted each

826
00:23:06,630 --> 00:23:08,720



827
00:23:06,640 --> 00:23:11,890
frame from this film with the

828
00:23:08,710 --> 00:23:11,890



829
00:23:08,720 --> 00:23:13,910
patience of the ancient miniaturists. เฮ

830
00:23:11,880 --> 00:23:13,910



831
00:23:11,890 --> 00:23:13,910
[music]

833
00:23:26,960 --> 00:23:28,980
[music]

835
00:23:32,850 --> 00:23:34,870
[music]

837
00:23:40,360 --> 00:23:43,390
เฮ [music]

839
00:23:46,610 --> 00:23:48,630
[music]

841
00:23:51,850 --> 00:23:53,870
[music]

843
00:24:01,670 --> 00:24:03,690
[music]

845
00:24:06,260 --> 00:24:08,280
[music]

847
00:24:10,320 --> 00:24:13,320
Ah.

849
00:24:16,740 --> 00:24:18,760
[music]

851
00:24:23,290 --> 00:24:25,310
>> [music]

853
00:24:29,180 --> 00:24:31,200
[music]

855
00:24:36,390 --> 00:24:38,410
[music]

857
00:24:42,940 --> 00:24:44,960
[music]

859
00:24:45,960 --> 00:24:48,440
>> What [laughter] does he do? But these are

860
00:24:47,230 --> 00:24:48,440



861
00:24:47,240 --> 00:24:50,560
pushed films,

862
00:24:48,430 --> 00:24:50,560



863
00:24:48,440 --> 00:24:53,360
>> but so naive. They don't hurt

864
00:24:50,550 --> 00:24:53,360



865
00:24:50,560 --> 00:24:56,360
Nobody. Little girls, close your eyes.

866
00:24:53,350 --> 00:24:56,360



867
00:24:53,360 --> 00:24:56,360
Yes.

869
00:25:01,930 --> 00:25:06,440
[music]

870
00:25:03,430 --> 00:25:06,440



871
00:25:03,440 --> 00:25:06,440
เฮ

873
00:25:09,140 --> 00:25:11,160
[music]

875
00:25:15,030 --> 00:25:17,050
[music]

877
00:25:19,620 --> 00:25:21,640
[music]

879
00:25:27,480 --> 00:25:29,500
[music]

881
00:25:33,370 --> 00:25:35,390
>> [music]

883
00:25:37,960 --> 00:25:39,980
[music]

885
00:25:43,200 --> 00:25:45,220
[music]

887
00:25:53,680 --> 00:25:55,700
[music]

889
00:25:57,520 --> 00:26:00,940
>> Yeah. [music]

891
00:26:04,160 --> 00:26:06,180
>> [music]

893
00:26:10,710 --> 00:26:12,730
[music]

895
00:26:19,220 --> 00:26:21,240
[music]

897
00:26:45,800 --> 00:26:49,400
>> Here, put it away.

899
00:26:50,720 --> 00:26:54,680
>> Eh, did you have fun, ma'am?

900
00:26:52,430 --> 00:26:54,680



901
00:26:52,440 --> 00:26:56,360
>> Oh, more than amused. I am enthusiastic.

902
00:26:54,670 --> 00:26:56,360



903
00:26:54,680 --> 00:26:58,080
But where did he find these films?

904
00:26:56,350 --> 00:26:58,080



905
00:26:56,360 --> 00:26:59,360
>> At Macero, I saved them.

906
00:26:58,070 --> 00:26:59,360



907
00:26:58,080 --> 00:27:01,280
>> Eh, allow me a word.

908
00:26:59,350 --> 00:27:01,280



909
00:26:59,360 --> 00:27:04,200
>> You're welcome, ma'am. Baroness Cabrioli,

910
00:27:01,270 --> 00:27:04,200



911
00:27:01,280 --> 00:27:07,240
>> Knight Mary, most honored.

912
00:27:04,190 --> 00:27:07,240



913
00:27:04,200 --> 00:27:08,520
>> He gives me these films for colleges or others,

914
00:27:07,230 --> 00:27:08,520



915
00:27:07,240 --> 00:27:10,120
we'll say this for adults.

916
00:27:08,510 --> 00:27:10,120



917
00:27:08,520 --> 00:27:11,880
>> Maronessa, I tried to save

918
00:27:10,110 --> 00:27:11,880



919
00:27:10,120 --> 00:27:14,120
the essential of our ancient

920
00:27:11,870 --> 00:27:14,120



921
00:27:11,880 --> 00:27:17,600
glorious cinematography.

922
00:27:14,110 --> 00:27:17,600



923
00:27:14,120 --> 00:27:19,200
>> Do you have any films with plots?

924
00:27:17,590 --> 00:27:19,200



925
00:27:17,600 --> 00:27:19,880
Sister, forgive me. It could help me

926
00:27:19,190 --> 00:27:19,880



927
00:27:19,200 --> 00:27:21,440
an orangeade.

928
00:27:19,870 --> 00:27:21,440



929
00:27:19,880 --> 00:27:23,840
>> Immediately, Baroness.

930
00:27:21,430 --> 00:27:23,840



931
00:27:21,440 --> 00:27:26,160
>> I would like to know if you have any films with

932
00:27:23,830 --> 00:27:26,160



933
00:27:23,840 --> 00:27:28,200
romantic entanglements,

934
00:27:26,150 --> 00:27:28,200



935
00:27:26,160 --> 00:27:29,680
lovers, do you understand me? You observed

936
00:27:28,190 --> 00:27:29,680



937
00:27:28,200 --> 00:27:31,120
from destroying the films anymore

938
00:27:29,670 --> 00:27:31,120



939
00:27:29,680 --> 00:27:33,040
important companies of Bertini, Borelli,

940
00:27:31,110 --> 00:27:33,040



941
00:27:31,120 --> 00:27:34,560
of Menichelli, of Manzini,

942
00:27:33,030 --> 00:27:34,560



943
00:27:33,040 --> 00:27:35,920
>> also from Maosca. I had the honor of

944
00:27:34,550 --> 00:27:35,920



945
00:27:34,560 --> 00:27:37,200
work with her.

946
00:27:35,910 --> 00:27:37,200



947
00:27:35,920 --> 00:27:38,600
>> So, what movies could one

948
00:27:37,190 --> 00:27:38,600



949
00:27:37,200 --> 00:27:41,280
project at my house?

950
00:27:38,590 --> 00:27:41,280



951
00:27:38,600 --> 00:27:43,320
>> Malena, Assunta Spina, the naked woman.

952
00:27:41,270 --> 00:27:43,320



953
00:27:41,280 --> 00:27:44,080
>> That's fine, we agree. And of

954
00:27:43,310 --> 00:27:44,080



955
00:27:43,320 --> 00:27:46,200
Makovska?

956
00:27:44,070 --> 00:27:46,200



957
00:27:44,080 --> 00:27:46,640
>> Some precious scenes from the fiacre number

958
00:27:46,190 --> 00:27:46,640



959
00:27:46,200 --> 00:27:47,640
13.

960
00:27:46,630 --> 00:27:47,640



961
00:27:46,640 --> 00:27:48,760
>> Don't forget, eh?

962
00:27:47,630 --> 00:27:48,760



963
00:27:47,640 --> 00:27:49,600
>> Oh no, of course.

964
00:27:48,750 --> 00:27:49,600



965
00:27:48,760 --> 00:27:51,400
>> And your granddaughter?

966
00:27:49,590 --> 00:27:51,400



967
00:27:49,600 --> 00:27:53,960
>> She's my music helper.

968
00:27:51,390 --> 00:27:53,960



969
00:27:51,400 --> 00:27:55,560
>> Good, very good. For projection le

970
00:27:53,950 --> 00:27:55,560



971
00:27:53,960 --> 00:27:57,640
I'll be precise. Goodbye.

972
00:27:55,550 --> 00:27:57,640



973
00:27:55,560 --> 00:27:59,840
>> Thank you. most honored.

974
00:27:57,630 --> 00:27:59,840



975
00:27:57,640 --> 00:28:02,840
>> Hi,

976
00:27:59,830 --> 00:28:02,840



977
00:27:59,840 --> 00:28:02,840
good morning.

979
00:28:12,400 --> 00:28:18,800
>> But you're not ready yet?

980
00:28:15,150 --> 00:28:18,800



981
00:28:15,160 --> 00:28:21,840
>> But what did you put on your face?

982
00:28:18,790 --> 00:28:21,840



983
00:28:18,800 --> 00:28:23,800
You look like a mascher de cri.

984
00:28:21,830 --> 00:28:23,800



985
00:28:21,840 --> 00:28:25,200
>> But go wash yourself.

986
00:28:23,790 --> 00:28:25,200



987
00:28:23,800 --> 00:28:26,280
>> You look like a gentleman, I don't want it

988
00:28:25,190 --> 00:28:26,280



989
00:28:25,200 --> 00:28:29,120
parfoncella.

990
00:28:26,270 --> 00:28:29,120



991
00:28:26,280 --> 00:28:32,360
>> I am a gentleman. I taught

992
00:28:29,110 --> 00:28:32,360



993
00:28:29,120 --> 00:28:33,880
bring tails to an entire generation.

994
00:28:32,350 --> 00:28:33,880



995
00:28:32,360 --> 00:28:36,600
>> But you've grown up.

996
00:28:33,870 --> 00:28:36,600



997
00:28:33,880 --> 00:28:37,760
>> You did it on purpose to show the

998
00:28:36,590 --> 00:28:37,760



999
00:28:36,600 --> 00:28:41,440
linen.

1000
00:28:37,750 --> 00:28:41,440



1001
00:28:37,760 --> 00:28:41,440
>> Uh, the Baroness' car.

1003
00:28:43,560 --> 00:28:45,520
>> It's him.

1004
00:28:44,470 --> 00:28:45,520



1005
00:28:44,480 --> 00:28:46,360
>> Who? Him

1006
00:28:45,510 --> 00:28:46,360



1007
00:28:45,520 --> 00:28:48,960
>> the driver.

1008
00:28:46,350 --> 00:28:48,960



1009
00:28:46,360 --> 00:28:48,960
>> Oh.

1011
00:28:55,880 --> 00:28:57,880
Good evening

1012
00:28:56,710 --> 00:28:57,880



1013
00:28:56,720 --> 00:28:58,400
>> from the Baroness.

1014
00:28:57,870 --> 00:28:58,400



1015
00:28:57,880 --> 00:29:01,880
>> Mr Yes,

1016
00:28:58,390 --> 00:29:01,880



1017
00:28:58,400 --> 00:29:05,960
>> this material needs to be uploaded.

1018
00:29:01,870 --> 00:29:05,960



1019
00:29:01,880 --> 00:29:05,960
>> Wasn't it better to call a van?

1021
00:29:06,760 --> 00:29:10,880
>> Marianina, please don't open your mouth

1022
00:29:08,630 --> 00:29:10,880



1023
00:29:08,640 --> 00:29:13,360
with anyone and above all don't kiss her

1024
00:29:10,870 --> 00:29:13,360



1025
00:29:10,880 --> 00:29:14,480
hand.

1026
00:29:13,350 --> 00:29:14,480



1027
00:29:13,360 --> 00:29:18,080
>> What if they kiss me?

1028
00:29:14,470 --> 00:29:18,080



1029
00:29:14,480 --> 00:29:18,080
>> Go, go, go, go, go.

1031
00:29:24,560 --> 00:29:28,280
cigarette.

1032
00:29:26,710 --> 00:29:28,280



1033
00:29:26,720 --> 00:29:30,680
Sorry,

1034
00:29:28,270 --> 00:29:30,680



1035
00:29:28,280 --> 00:29:32,800
Mariannina,

1036
00:29:30,670 --> 00:29:32,800



1037
00:29:30,680 --> 00:29:35,800
ask if we can start.

1038
00:29:32,790 --> 00:29:35,800



1039
00:29:32,800 --> 00:29:35,800
>> Yes,

1041
00:29:41,280 --> 00:29:45,960
>> Lady Baroness, the knight says that

1042
00:29:43,870 --> 00:29:45,960



1043
00:29:43,880 --> 00:29:48,200
it's ready. Can we get started? No,

1044
00:29:45,950 --> 00:29:48,200



1045
00:29:45,960 --> 00:29:48,640
I'm still waiting for guests, I'll give the go-ahead.

1046
00:29:48,190 --> 00:29:48,640



1047
00:29:48,200 --> 00:29:49,800
>> Okay,

1048
00:29:48,630 --> 00:29:49,800



1049
00:29:48,640 --> 00:29:50,680
>> but we are not full.

1050
00:29:49,790 --> 00:29:50,680



1051
00:29:49,800 --> 00:29:51,560
>> A little patience.

1052
00:29:50,670 --> 00:29:51,560



1053
00:29:50,680 --> 00:29:52,680
>> But who are we waiting for?

1054
00:29:51,550 --> 00:29:52,680



1055
00:29:51,560 --> 00:29:54,520
>> The prompter is missing.

1056
00:29:52,670 --> 00:29:54,520



1057
00:29:52,680 --> 00:29:55,920
>> The operator is not ready yet.

1058
00:29:54,510 --> 00:29:55,920



1059
00:29:54,520 --> 00:29:57,560
>> Do you want to tell me which mysterious one

1060
00:29:55,910 --> 00:29:57,560



1061
00:29:55,920 --> 00:29:58,360
character did you invite?

1062
00:29:57,550 --> 00:29:58,360



1063
00:29:57,560 --> 00:29:59,760
>> The story.

1064
00:29:58,350 --> 00:29:59,760



1065
00:29:58,360 --> 00:30:00,760
>> Ah, the producer's widow

1066
00:29:59,750 --> 00:30:00,760



1067
00:29:59,760 --> 00:30:02,680
cinematic.

1068
00:30:00,750 --> 00:30:02,680



1069
00:30:00,760 --> 00:30:04,160
>> Precisely. But you don't know who he was

1070
00:30:02,670 --> 00:30:04,160



1071
00:30:02,680 --> 00:30:05,640
the story before getting married?

1072
00:30:04,150 --> 00:30:05,640



1073
00:30:04,160 --> 00:30:07,720
>> An actress, I think, right?

1074
00:30:05,630 --> 00:30:07,720



1075
00:30:05,640 --> 00:30:10,120
>> Exactly. I stayed with her for days

1076
00:30:07,710 --> 00:30:10,120



1077
00:30:07,720 --> 00:30:11,800
ago. He has a house full of photographs and

1078
00:30:10,110 --> 00:30:11,800



1079
00:30:10,120 --> 00:30:13,960
lying on the sofas at Madame

1080
00:30:11,790 --> 00:30:13,960



1081
00:30:11,800 --> 00:30:16,040
Regamier. He only spoke to me about his own

1082
00:30:13,950 --> 00:30:16,040



1083
00:30:13,960 --> 00:30:17,320
movie. [laughter] She was a famous diva.

1084
00:30:16,030 --> 00:30:17,320



1085
00:30:16,040 --> 00:30:19,610
>> Yes, from the time of Noah.

1086
00:30:17,310 --> 00:30:19,610



1087
00:30:17,320 --> 00:30:19,840
>> When you were young too, dear.

1088
00:30:19,600 --> 00:30:19,840



1089
00:30:19,610 --> 00:30:22,160
[laughter]

1090
00:30:19,830 --> 00:30:22,160



1091
00:30:19,840 --> 00:30:25,920
>> But what was it called in art?

1092
00:30:22,150 --> 00:30:25,920



1093
00:30:22,160 --> 00:30:29,040
>> Elena Makovska. Here it is. Oh, dear Elena.

1094
00:30:25,910 --> 00:30:29,040



1095
00:30:25,920 --> 00:30:33,880
Oh, sorry, I'm always late.

1096
00:30:29,030 --> 00:30:33,880



1097
00:30:29,040 --> 00:30:33,880
What is it? Act. Cinema.

1099
00:30:34,200 --> 00:30:39,880
>> Alarm. The police. Someone has them

1100
00:30:36,870 --> 00:30:39,880



1101
00:30:36,880 --> 00:30:39,880
reported.

1103
00:30:46,470 --> 00:30:49,720
>> [music]

1104
00:30:47,430 --> 00:30:49,720



1105
00:30:47,440 --> 00:30:53,960
>> Sonia, found guilty of the killing

1106
00:30:49,710 --> 00:30:53,960



1107
00:30:49,720 --> 00:30:53,960
of the guard, is arrested.

1109
00:30:54,720 --> 00:30:58,000
Ladies and gentlemen, don't laugh at the

1110
00:30:56,470 --> 00:30:58,000



1111
00:30:56,480 --> 00:31:00,120
actors of that time who move

1112
00:30:57,990 --> 00:31:00,120



1113
00:30:58,000 --> 00:31:02,320
quickly. Don't think it's your fault

1114
00:31:00,110 --> 00:31:02,320



1115
00:31:00,120 --> 00:31:04,520
them. It is the projection machines that

1116
00:31:02,310 --> 00:31:04,520



1117
00:31:02,320 --> 00:31:06,840
today, no longer going at the speed of

1118
00:31:04,510 --> 00:31:06,840



1119
00:31:04,520 --> 00:31:09,160
silent cinema, accelerate grotesquely

1120
00:31:06,830 --> 00:31:09,160



1121
00:31:06,840 --> 00:31:13,000
movements and gestures of the characters of those

1122
00:31:09,150 --> 00:31:13,000



1123
00:31:09,160 --> 00:31:13,000
movie. The unhappy one

1125
00:31:16,320 --> 00:31:21,280
Soniagia is condemned to deportation

1126
00:31:18,110 --> 00:31:21,280



1127
00:31:18,120 --> 00:31:21,280
in Siberia.

1129
00:31:27,730 --> 00:31:29,750
[music]

1131
00:31:32,600 --> 00:31:35,000
>> But is this a comedy film? Don't say

1132
00:31:34,270 --> 00:31:35,000



1133
00:31:34,280 --> 00:31:37,120
nonsense.

1134
00:31:34,990 --> 00:31:37,120



1135
00:31:35,000 --> 00:31:39,280
>> So why are they laughing?

1136
00:31:37,110 --> 00:31:39,280



1137
00:31:37,120 --> 00:31:44,120
>> Under the snow, in front of the walls of

1138
00:31:39,270 --> 00:31:44,120



1139
00:31:39,280 --> 00:31:44,120
Kremlin, the sad caravan leaves.

1141
00:31:48,040 --> 00:31:50,060
[music]

1143
00:31:53,930 --> 00:31:55,950
>> [music]

1145
00:32:01,140 --> 00:32:03,160
[music]

1147
00:32:08,340 --> 00:32:10,360
[music]

1149
00:32:16,120 --> 00:32:22,150
>> I will avenge you, my daughter!", shouts the

1150
00:32:18,830 --> 00:32:22,150



1151
00:32:18,840 --> 00:32:22,150
father. [music]

1153
00:32:24,720 --> 00:32:26,740
>> [music]

1155
00:32:32,580 --> 00:32:34,600
[music]

1157
00:32:37,160 --> 00:32:39,180
[music]

1159
00:32:42,400 --> 00:32:44,420
[music]

1161
00:32:45,160 --> 00:32:51,570
>> Sonia can't resist the fatigue of the long run

1162
00:32:47,230 --> 00:32:51,570



1163
00:32:47,240 --> 00:32:53,590
travels and dies in the Siberian steppe.

1164
00:32:51,560 --> 00:32:53,590



1165
00:32:51,570 --> 00:32:53,590
>> [music]

1167
00:33:01,400 --> 00:33:03,420
[music]

1169
00:33:07,290 --> 00:33:09,310
[music]

1171
00:33:15,150 --> 00:33:17,170
[music]

1173
00:33:27,080 --> 00:33:30,720
>> The father meanwhile prepares the bombs

1174
00:33:29,030 --> 00:33:30,720



1175
00:33:29,040 --> 00:33:34,200
according to a recipe of the nihilists of

1176
00:33:30,710 --> 00:33:34,200



1177
00:33:30,720 --> 00:33:34,200
that time. [music]

1179
00:33:38,680 --> 00:33:45,680
The test succeeds.

1180
00:33:40,870 --> 00:33:45,680



1181
00:33:40,880 --> 00:33:45,680
Vendetta. Tremendous revenge.

1183
00:33:46,320 --> 00:33:49,270
เฮ [music]

1185
00:33:54,450 --> 00:33:56,470
[music]

1187
00:33:59,690 --> 00:34:01,710
[music]

1189
00:34:04,280 --> 00:34:06,300
[music]

1191
00:34:09,520 --> 00:34:11,540
[music]

1193
00:34:21,310 --> 00:34:23,330
>> [music]

1195
00:34:25,890 --> 00:34:31,280
[music]

1196
00:34:27,670 --> 00:34:31,280



1197
00:34:27,680 --> 00:34:31,280
>> End of drama.

1199
00:34:31,320 --> 00:34:35,840
At the time of these films the actors and

1200
00:34:33,790 --> 00:34:35,840



1201
00:34:33,800 --> 00:34:38,760
actresses were still unknown since

1202
00:34:35,830 --> 00:34:38,760



1203
00:34:35,840 --> 00:34:41,760
public. A few years later the

1204
00:34:38,750 --> 00:34:41,760



1205
00:34:38,760 --> 00:34:41,760
stardom.

1207
00:34:44,880 --> 00:34:50,280
Here is Elena Vitiello, sorry, in art

1208
00:34:47,470 --> 00:34:50,280



1209
00:34:47,480 --> 00:34:53,460
Francesca Bertini in the film Assunta

1210
00:34:50,270 --> 00:34:53,460



1211
00:34:50,280 --> 00:34:53,460
Plug. [music]

1213
00:34:59,300 --> 00:35:01,320
>> [music]

1215
00:35:09,120 --> 00:35:11,140
[music]

1217
00:35:18,440 --> 00:35:22,520
>> Francesca Bertini is hired

1218
00:35:20,270 --> 00:35:22,520



1219
00:35:20,280 --> 00:35:24,840
plays the enigmatic character and

1220
00:35:22,510 --> 00:35:24,840



1221
00:35:22,520 --> 00:35:25,600
painful created by Salvatore Di Giacomo.

1222
00:35:24,830 --> 00:35:25,600



1223
00:35:24,840 --> 00:35:29,000
>> [music]

1224
00:35:25,590 --> 00:35:29,000



1225
00:35:25,600 --> 00:35:32,480
>> The film was made in 1915 by

1226
00:35:28,990 --> 00:35:32,480



1227
00:35:29,000 --> 00:35:32,480
Gustavus Senate.

1229
00:35:33,000 --> 00:35:37,640
Humble hired ironer struggles between

1230
00:35:35,630 --> 00:35:37,640



1231
00:35:35,640 --> 00:35:40,520
two men and it is the cause of their

1232
00:35:37,630 --> 00:35:40,520



1233
00:35:37,640 --> 00:35:43,080
misfortune. Voluminous lover arouses the

1234
00:35:40,510 --> 00:35:43,080



1235
00:35:40,520 --> 00:35:45,240
jealousy of her boyfriend Michele Bocca

1236
00:35:43,070 --> 00:35:45,240



1237
00:35:43,080 --> 00:35:48,200
of Fire, played by the same

1238
00:35:45,230 --> 00:35:48,200



1239
00:35:45,240 --> 00:35:50,280
Gustavo Serena.

1240
00:35:48,190 --> 00:35:50,280



1241
00:35:48,200 --> 00:35:53,880
Feeling betrayed, Michele waits

1242
00:35:50,270 --> 00:35:53,880



1243
00:35:50,280 --> 00:35:53,880
hired to take revenge.

1245
00:35:56,280 --> 00:35:58,300
>> [music]

1247
00:36:02,830 --> 00:36:04,850
[music]

1249
00:36:08,730 --> 00:36:10,750
[music]

1251
00:36:15,930 --> 00:36:17,950
[music]

1253
00:36:22,800 --> 00:36:24,880
>> เ

1255
00:36:25,760 --> 00:36:28,520
>> [music]

1256
00:36:26,350 --> 00:36:28,520



1257
00:36:26,360 --> 00:36:31,760
>> Michele was arrested and now he is

1258
00:36:28,510 --> 00:36:31,760



1259
00:36:28,520 --> 00:36:34,120
tried at Castel Capuano. Assumption

1260
00:36:31,750 --> 00:36:34,120



1261
00:36:31,760 --> 00:36:38,800
she runs to be close to him and tell him that

1262
00:36:34,110 --> 00:36:38,800



1263
00:36:34,120 --> 00:36:38,800
she loves him even more than before.

1265
00:36:40,820 --> 00:36:42,840
>> [music]

1267
00:36:43,240 --> 00:36:50,480
>> In fact the trial speaks in his defense,

1268
00:36:47,950 --> 00:36:50,480



1269
00:36:47,960 --> 00:36:53,320
but the court, considering that Michele is

1270
00:36:50,470 --> 00:36:53,320



1271
00:36:50,480 --> 00:36:57,910
repeat offender of the crime of contempt, lo

1272
00:36:53,310 --> 00:36:57,910



1273
00:36:53,320 --> 00:36:57,910
sentenced to 2 years in prison. [music]

1275
00:37:00,880 --> 00:37:04,320
To save [music] his love,

1276
00:37:02,750 --> 00:37:04,320



1277
00:37:02,760 --> 00:37:07,480
Assunta turns to Don Federico

1278
00:37:04,310 --> 00:37:07,480



1279
00:37:04,320 --> 00:37:11,200
Funelli, court clerk

1280
00:37:07,470 --> 00:37:11,200



1281
00:37:07,480 --> 00:37:11,200
unrepentant [music] libertine.

1283
00:37:16,850 --> 00:37:18,870
[music]

1285
00:37:21,430 --> 00:37:23,450
[music]

1287
00:37:24,560 --> 00:37:29,280
Yet to save Michele, hired pays

1288
00:37:27,030 --> 00:37:29,280



1289
00:37:27,040 --> 00:37:32,440
with his honor the asking price from

1290
00:37:29,270 --> 00:37:32,440



1291
00:37:29,280 --> 00:37:32,440
Don Federico.

1293
00:37:35,850 --> 00:37:37,870
[music]

1295
00:37:41,090 --> 00:37:43,110
[music]

1297
00:37:48,950 --> 00:37:50,970
[music]

1299
00:37:52,360 --> 00:37:58,040
Shortly afterwards Michele returns in a hurry.

1300
00:37:55,030 --> 00:37:58,040



1301
00:37:55,040 --> 00:37:58,040
เฮ

1303
00:37:58,120 --> 00:38:00,140
[music]

1305
00:38:05,320 --> 00:38:07,340
[music]

1307
00:38:21,040 --> 00:38:23,060
[music]

1309
00:38:28,250 --> 00:38:30,270
>> [music]

1311
00:38:36,110 --> 00:38:38,130
[music]

1313
00:38:43,970 --> 00:38:45,990
[music]

1315
00:38:48,550 --> 00:38:50,570
[music]

1317
00:38:55,100 --> 00:38:57,120
[music]

1319
00:39:02,310 --> 00:39:04,330
[music]

1321
00:39:08,200 --> 00:39:10,220
[music]

1323
00:39:18,680 --> 00:39:20,700
[music]

1325
00:39:29,160 --> 00:39:31,180
[music]

1327
00:39:33,750 --> 00:39:35,770
[music]

1329
00:39:41,610 --> 00:39:43,630
[music]

1331
00:39:48,160 --> 00:39:50,180
[music]

1333
00:39:51,360 --> 00:39:56,020
>> Assunta accuses herself of the crime she didn't commit

1334
00:39:53,150 --> 00:39:56,020



1335
00:39:53,160 --> 00:39:58,040
committed to save the man she loves.

1336
00:39:56,010 --> 00:39:58,040



1337
00:39:56,020 --> 00:39:58,040
[music]

1339
00:40:04,880 --> 00:40:10,960
Don't laugh, please, it's a moment

1340
00:40:07,310 --> 00:40:10,960



1341
00:40:07,320 --> 00:40:10,960
highly dramatic.

1343
00:40:13,240 --> 00:40:20,160
You will now see Pina Menichelli, actress come on

1344
00:40:16,630 --> 00:40:20,160



1345
00:40:16,640 --> 00:40:22,760
100 faces, interpreter of a thousand. His

1346
00:40:20,150 --> 00:40:22,760



1347
00:40:20,160 --> 00:40:25,360
way of acting was very personal,

1348
00:40:22,750 --> 00:40:25,360



1349
00:40:22,760 --> 00:40:27,840
unmistakable. Here he is in a scene from

1350
00:40:25,350 --> 00:40:27,840



1351
00:40:25,360 --> 00:40:31,640
film Claudio's wife with the actor

1352
00:40:27,830 --> 00:40:31,640



1353
00:40:27,840 --> 00:40:31,640
Cesare Rossi Pianelli.

1355
00:40:32,040 --> 00:40:34,060
[music]

1357
00:40:34,320 --> 00:40:37,940
Look at you in this bold shot

1358
00:40:36,350 --> 00:40:37,940



1359
00:40:36,360 --> 00:40:39,960
of love.

1360
00:40:37,930 --> 00:40:39,960



1361
00:40:37,940 --> 00:40:39,960
[music]

1363
00:40:40,560 --> 00:40:42,580
[laughter]

1365
00:40:43,000 --> 00:40:48,600
Gentlemen, please don't laugh. It's art

1366
00:40:46,350 --> 00:40:48,600



1367
00:40:46,360 --> 00:40:50,360
this too.

1368
00:40:48,590 --> 00:40:50,360



1369
00:40:48,600 --> 00:40:52,360
Admire her in this novel by a

1370
00:40:50,350 --> 00:40:52,360



1371
00:40:50,360 --> 00:40:54,440
poor young man derived from the namesake

1372
00:40:52,350 --> 00:40:54,440



1373
00:40:52,360 --> 00:40:58,480
comedy by Giorgonet. He put it in

1374
00:40:54,430 --> 00:40:58,480



1375
00:40:54,440 --> 00:41:00,400
scene director Meto Palermi in 1920.

1376
00:40:58,470 --> 00:41:00,400



1377
00:40:58,480 --> 00:41:02,520
The young hated actor Luigi [music]

1378
00:41:00,390 --> 00:41:02,520



1379
00:41:00,400 --> 00:41:04,480
Servants, believed to be poor but in reality

1380
00:41:02,510 --> 00:41:04,480



1381
00:41:02,520 --> 00:41:06,760
rich, believed to be plebeian, but in reality

1382
00:41:04,470 --> 00:41:06,760



1383
00:41:04,480 --> 00:41:08,720
noble, accompanies the noble and rich

1384
00:41:06,750 --> 00:41:08,720



1385
00:41:06,760 --> 00:41:10,800
[music] Miss Margherita actress

1386
00:41:08,710 --> 00:41:10,800



1387
00:41:08,720 --> 00:41:13,000
Pinachelli visiting the tower of

1388
00:41:10,790 --> 00:41:13,000



1389
00:41:10,800 --> 00:41:13,000
Elvin.

1391
00:41:17,240 --> 00:41:19,260
>> [music]

1393
00:41:22,480 --> 00:41:24,500
[music]

1395
00:41:32,960 --> 00:41:34,980
[music]

1397
00:41:35,000 --> 00:41:40,320
>> Come back later, says Oh God, al

1398
00:41:36,950 --> 00:41:40,320



1399
00:41:36,960 --> 00:41:40,320
young shepherd boy.

1401
00:41:40,440 --> 00:41:44,840
Meanwhile it's evening. The shepherd boy is not there

1402
00:41:42,790 --> 00:41:44,840



1403
00:41:42,800 --> 00:41:48,080
he sees them and, believing them to be gone, locks them up

1404
00:41:44,830 --> 00:41:48,080



1405
00:41:44,840 --> 00:41:48,080
in the tower.

1407
00:41:49,330 --> 00:41:51,350
[music]

1409
00:41:55,400 --> 00:41:57,900
เฮ [music]

1411
00:42:04,400 --> 00:42:06,420
[music]

1413
00:42:10,950 --> 00:42:12,970
[music]

1415
00:42:22,080 --> 00:42:24,100
[music]

1417
00:42:29,940 --> 00:42:31,960
>> [music]

1419
00:42:32,120 --> 00:42:38,840
>> There must be the guardian around here

1420
00:42:33,950 --> 00:42:38,840



1421
00:42:33,960 --> 00:42:38,840
on the way. Call him says Margherita.

1423
00:42:39,770 --> 00:42:41,790
[music]

1425
00:42:46,970 --> 00:42:48,990
>> [music]

1427
00:42:52,440 --> 00:42:56,880
>> Nobody answers. [music] Ne.

1429
00:42:58,760 --> 00:43:00,780
[music]

1431
00:43:06,620 --> 00:43:08,640
[music]

1433
00:43:14,440 --> 00:43:19,400
Now a terrible thought crosses her

1434
00:43:17,030 --> 00:43:19,400



1435
00:43:17,040 --> 00:43:22,240
woman's mind.

1436
00:43:19,390 --> 00:43:22,240



1437
00:43:19,400 --> 00:43:25,670
that hatred has agreed with

1438
00:43:22,230 --> 00:43:25,670



1439
00:43:22,240 --> 00:43:25,670
shepherd boy. [music]

1441
00:43:29,480 --> 00:43:33,960
And Margherita shouts her indignation at him:

1442
00:43:31,590 --> 00:43:33,960



1443
00:43:31,600 --> 00:43:36,560
"Then you paid that child for

1444
00:43:33,950 --> 00:43:36,560



1445
00:43:33,960 --> 00:43:38,840
lock me up in this tower? God, God,

1446
00:43:36,550 --> 00:43:38,840



1447
00:43:36,560 --> 00:43:41,080
what cowardice! I will be dishonored. I'll have to

1448
00:43:38,830 --> 00:43:41,080



1449
00:43:38,840 --> 00:43:45,320
be yours by force.

1450
00:43:41,070 --> 00:43:45,320



1451
00:43:41,080 --> 00:43:45,320
This is your plan.

1453
00:43:45,930 --> 00:43:47,950
[music]

1455
00:43:55,750 --> 00:43:58,760
[music]

1456
00:43:56,510 --> 00:43:58,760



1457
00:43:56,520 --> 00:44:01,720
Enough, Margherita, my honor not

1458
00:43:58,750 --> 00:44:01,720



1459
00:43:58,760 --> 00:44:04,840
allows such offenses. I love you, I have you

1460
00:44:01,710 --> 00:44:04,840



1461
00:44:01,720 --> 00:44:08,440
always loved and you will have proof of it, too

1462
00:44:04,830 --> 00:44:08,440



1463
00:44:04,840 --> 00:44:11,440
if you never see me again.

1464
00:44:08,430 --> 00:44:11,440



1465
00:44:08,440 --> 00:44:11,440
เฮ

1467
00:44:14,090 --> 00:44:16,110
[music]

1469
00:44:19,990 --> 00:44:22,010
[music]

1471
00:44:33,740 --> 00:44:35,760
[music]

1473
00:44:40,290 --> 00:44:42,310
>> [music]

1475
00:44:46,840 --> 00:44:48,860
[music]

1477
00:44:52,740 --> 00:44:54,760
[music]

1479
00:44:55,280 --> 00:45:00,040
>> But I'm at Margherita's castle

1480
00:44:57,070 --> 00:45:00,040



1481
00:44:57,080 --> 00:45:03,080
thought. his uncle, actor Antonio

1482
00:45:00,030 --> 00:45:03,080



1483
00:45:00,040 --> 00:45:06,080
Gandusio, seeing Oddio arriving, told him

1484
00:45:03,070 --> 00:45:06,080



1485
00:45:03,080 --> 00:45:06,080
he asks

1487
00:45:07,150 --> 00:45:09,170
[music]

1489
00:45:13,700 --> 00:45:15,720
[music]

1491
00:45:22,000 --> 00:45:27,760
Odio saved Margherita.

1492
00:45:24,670 --> 00:45:27,760



1493
00:45:24,680 --> 00:45:30,720
One of these lightning strikers was Lida

1494
00:45:27,750 --> 00:45:30,720



1495
00:45:27,760 --> 00:45:32,880
Borelli, teacher in the so-called cudo

1496
00:45:30,710 --> 00:45:32,880



1497
00:45:30,720 --> 00:45:34,320
fudro. De Borelli was the feminine type

1498
00:45:32,870 --> 00:45:34,320



1499
00:45:32,880 --> 00:45:36,400
more interesting than ours

1500
00:45:34,310 --> 00:45:36,400



1501
00:45:34,320 --> 00:45:39,240
cinematography, next to which every

1502
00:45:36,390 --> 00:45:39,240



1503
00:45:36,400 --> 00:45:42,240
man felt like a lover or at least

1504
00:45:39,230 --> 00:45:42,240



1505
00:45:39,240 --> 00:45:42,240
friend.

1507
00:45:52,340 --> 00:45:54,360
[music]

1509
00:45:59,160 --> 00:46:04,080
You see her here next to Andrea Be in

1510
00:46:01,790 --> 00:46:04,080



1511
00:46:01,800 --> 00:46:07,200
famous carnival scene from the film

1512
00:46:04,070 --> 00:46:07,200



1513
00:46:04,080 --> 00:46:10,030
Moth where even the very young act

1514
00:46:07,190 --> 00:46:10,030



1515
00:46:07,200 --> 00:46:12,050
Renato Cialente.

1516
00:46:10,020 --> 00:46:12,050



1517
00:46:10,030 --> 00:46:12,050
[music]

1519
00:46:15,270 --> 00:46:17,290
[music]

1521
00:46:21,360 --> 00:46:25,320
>> Ladies and gentlemen, don't laugh at this

1522
00:46:23,350 --> 00:46:25,320



1523
00:46:23,360 --> 00:46:26,040
yesterday made the hearts of the whole world beat

1524
00:46:25,310 --> 00:46:26,040



1525
00:46:25,320 --> 00:46:28,040
world.

1526
00:46:26,030 --> 00:46:28,040



1527
00:46:26,040 --> 00:46:30,330
>> But we weren't there. We still had to

1528
00:46:28,030 --> 00:46:30,330



1529
00:46:28,040 --> 00:46:32,350
be born.

1530
00:46:30,320 --> 00:46:32,350



1531
00:46:30,330 --> 00:46:32,350
[music]

1533
00:46:35,570 --> 00:46:37,590
[music]

1535
00:46:42,680 --> 00:46:46,760
Don't laugh at what happened

1536
00:46:44,030 --> 00:46:46,760



1537
00:46:44,040 --> 00:46:48,840
your past. Imagine that in 20 years,

1538
00:46:46,750 --> 00:46:48,840



1539
00:46:46,760 --> 00:46:50,560
30 years your children, your grandchildren

1540
00:46:48,830 --> 00:46:50,560



1541
00:46:48,840 --> 00:46:52,720
they might laugh at those films

1542
00:46:50,550 --> 00:46:52,720



1543
00:46:50,560 --> 00:46:55,160
who today send you invisible who,

1544
00:46:52,710 --> 00:46:55,160



1545
00:46:52,720 --> 00:46:56,680
believe me, they are no better than these.

1546
00:46:55,150 --> 00:46:56,680



1547
00:46:55,160 --> 00:46:58,480
>> Good.

1548
00:46:56,670 --> 00:46:58,480



1549
00:46:56,680 --> 00:47:00,360
Enough, it has to do with it.

1550
00:46:58,470 --> 00:47:00,360



1551
00:46:58,480 --> 00:47:01,640
>> Sorry, dear.

1552
00:47:00,350 --> 00:47:01,640



1553
00:47:00,360 --> 00:47:03,240
>> I understand them.

1554
00:47:01,630 --> 00:47:03,240



1555
00:47:01,640 --> 00:47:06,320
>> They are today's young people.

1556
00:47:03,230 --> 00:47:06,320



1557
00:47:03,240 --> 00:47:07,560
>> They're young and that's it.

1558
00:47:06,310 --> 00:47:07,560



1559
00:47:06,320 --> 00:47:08,160
What makes you angry? Just yes

1560
00:47:07,550 --> 00:47:08,160



1561
00:47:07,560 --> 00:47:10,680
have fun.

1562
00:47:08,150 --> 00:47:10,680



1563
00:47:08,160 --> 00:47:11,920
>> Shut up! Eh, be careful that this is not

1564
00:47:10,670 --> 00:47:11,920



1565
00:47:10,680 --> 00:47:13,880
it's a boarding school.

1566
00:47:11,910 --> 00:47:13,880



1567
00:47:11,920 --> 00:47:16,560
>> And here is Lida Borelli in hers

1568
00:47:13,870 --> 00:47:16,560



1569
00:47:13,880 --> 00:47:19,360
most dazzling interpretation, [music]

1570
00:47:16,550 --> 00:47:19,360



1571
00:47:16,560 --> 00:47:21,420
The naked woman, a film that created an era

1572
00:47:19,350 --> 00:47:21,420



1573
00:47:19,360 --> 00:47:23,040
in the history of cinematography,

1574
00:47:21,410 --> 00:47:23,040



1575
00:47:21,420 --> 00:47:25,280
[music] from Henry's play

1576
00:47:23,030 --> 00:47:25,280



1577
00:47:23,040 --> 00:47:27,440
Batai with Vanda's interpretation

1578
00:47:25,270 --> 00:47:27,440



1579
00:47:25,280 --> 00:47:30,720
Capodaglio and Lamberto Picasso, Meteur

1580
00:47:27,430 --> 00:47:30,720



1581
00:47:27,440 --> 00:47:33,240
Hansen, Carmine Gallone. The young man

1582
00:47:30,710 --> 00:47:33,240



1583
00:47:30,720 --> 00:47:35,600
painter Pierre, recently hired

1584
00:47:33,230 --> 00:47:35,600



1585
00:47:33,240 --> 00:47:37,600
of art, he portrays in his studio

1586
00:47:35,590 --> 00:47:37,600



1587
00:47:35,600 --> 00:47:40,120
the comely princess Paola De

1588
00:47:37,590 --> 00:47:40,120



1589
00:47:37,600 --> 00:47:42,520
Chabran. Meanwhile Lolette, the

1590
00:47:40,110 --> 00:47:42,520



1591
00:47:40,120 --> 00:47:45,400
Pierre's girlfriend, she pines in the

1592
00:47:42,510 --> 00:47:45,400



1593
00:47:42,520 --> 00:47:48,000
darker jealousy. fears that the man of the

1594
00:47:45,390 --> 00:47:48,000



1595
00:47:45,400 --> 00:47:50,320
her heart betrays her and in fact

1596
00:47:47,990 --> 00:47:50,320



1597
00:47:48,000 --> 00:47:54,230
the art meeting turns into a

1598
00:47:50,310 --> 00:47:54,230



1599
00:47:50,320 --> 00:47:54,230
love meeting. Yes. [music]

1601
00:47:58,760 --> 00:48:00,780
[music]

1603
00:48:05,310 --> 00:48:07,330
>> [music]

1605
00:48:12,510 --> 00:48:14,530
[music]

1607
00:48:19,720 --> 00:48:25,480
[music]

1608
00:48:20,790 --> 00:48:25,480



1609
00:48:20,800 --> 00:48:25,480
>> The drama now smolders in the shadows.

1611
00:48:28,230 --> 00:48:30,250
>> [music]

1613
00:48:39,370 --> 00:48:41,390
[music]

1615
00:48:45,260 --> 00:48:47,280
[music]

1617
00:48:52,470 --> 00:48:54,490
[music]

1619
00:48:56,840 --> 00:48:58,920
>> เ

1621
00:49:00,980 --> 00:49:03,000
>> [music]

1623
00:49:07,800 --> 00:49:12,120
>> Unfortunately the reconciliation between Lolette

1624
00:49:09,990 --> 00:49:12,120



1625
00:49:10,000 --> 00:49:14,140
and Pierre was short-lived.

1626
00:49:12,110 --> 00:49:14,140



1627
00:49:12,120 --> 00:49:14,140
[music]

1629
00:49:14,200 --> 00:49:17,680
The painter in fact presents his

1630
00:49:15,990 --> 00:49:17,680



1631
00:49:16,000 --> 00:49:19,560
painting at a reception in the house of

1632
00:49:17,670 --> 00:49:19,560



1633
00:49:17,680 --> 00:49:21,960
princess [music] Edolette who will

1634
00:49:19,550 --> 00:49:21,960



1635
00:49:19,560 --> 00:49:24,960
participates, understands that she was

1636
00:49:21,950 --> 00:49:24,960



1637
00:49:21,960 --> 00:49:24,960
deceived.

1639
00:49:27,840 --> 00:49:29,860
>> [music]

1641
00:49:35,700 --> 00:49:37,720
[music]

1643
00:49:40,940 --> 00:49:42,960
[music]

1645
00:49:45,720 --> 00:49:49,760
>> Now his soul has no peace. His

1646
00:49:47,990 --> 00:49:49,760



1647
00:49:48,000 --> 00:49:52,440
woman's pride is wounded. His

1648
00:49:49,750 --> 00:49:52,440



1649
00:49:49,760 --> 00:49:54,760
demonic wrath is about to explode.

1650
00:49:52,430 --> 00:49:54,760



1651
00:49:52,440 --> 00:49:57,970
Observe and admire this, gentlemen

1652
00:49:54,750 --> 00:49:57,970



1653
00:49:54,760 --> 00:49:59,990
splendid piece of intense drama.

1654
00:49:57,960 --> 00:49:59,990



1655
00:49:57,970 --> 00:49:59,990
[music]

1657
00:50:04,520 --> 00:50:06,540
[music]

1659
00:50:11,070 --> 00:50:13,090
>> [music]

1661
00:50:16,960 --> 00:50:18,980
[music]

1663
00:50:24,170 --> 00:50:26,190
[music]

1665
00:50:34,650 --> 00:50:36,670
[music]

1667
00:50:36,720 --> 00:50:38,800
>> เ

1669
00:50:45,780 --> 00:50:47,800
>> [music]

1671
00:50:52,990 --> 00:50:55,010
[music]

1673
00:51:01,510 --> 00:51:03,530
[music]

1675
00:51:06,740 --> 00:51:08,760
[music]

1677
00:51:11,330 --> 00:51:13,350
[music]

1679
00:51:17,880 --> 00:51:19,900
[music]

1681
00:51:31,640 --> 00:51:33,660
[music]

1683
00:51:36,320 --> 00:51:39,400
>> เ เฮ

1685
00:51:39,490 --> 00:51:41,510
[music]

1687
00:51:44,740 --> 00:51:46,760
[music]

1689
00:51:56,530 --> 00:51:58,550
[music]

1691
00:52:01,760 --> 00:52:03,780
[music]

1693
00:52:06,200 --> 00:52:09,200
เฮ

1695
00:52:10,280 --> 00:52:12,300
[music]

1697
00:52:20,760 --> 00:52:22,780
[music]

1699
00:52:29,280 --> 00:52:31,300
[music]

1701
00:52:34,520 --> 00:52:36,540
[music]

1703
00:52:42,380 --> 00:52:44,400
>> [music]

1705
00:52:46,960 --> 00:52:48,980
[music]

1707
00:52:52,200 --> 00:52:54,220
[music]

1709
00:52:57,440 --> 00:52:59,460
[music]

1711
00:53:03,340 --> 00:53:05,360
[music]

1713
00:53:05,720 --> 00:53:08,800
>> เ เฮ

1715
00:53:16,440 --> 00:53:18,460
[music]

1717
00:53:22,990 --> 00:53:25,010
[music]

1719
00:53:28,880 --> 00:53:30,900
[music]

1721
00:53:36,740 --> 00:53:38,760
>> [music]

1723
00:53:44,600 --> 00:53:46,620
[music]

1725
00:53:51,810 --> 00:53:53,830
[music]

1727
00:53:57,700 --> 00:53:59,720
[music]

1729
00:54:05,880 --> 00:54:09,550
>> B

1730
00:54:07,520 --> 00:54:09,550



1731
00:54:07,530 --> 00:54:09,550
[music]

1733
00:54:22,590 --> 00:54:24,610
[music]

1735
00:54:41,120 --> 00:54:45,570
2 minute break.

1736
00:54:43,540 --> 00:54:45,570



1737
00:54:43,550 --> 00:54:45,570
[laughter]

1739
00:54:47,200 --> 00:54:52,680
>> How stupid I am. We are all moved.

1740
00:54:50,630 --> 00:54:52,680



1741
00:54:50,640 --> 00:54:53,800
>> But for me it's different. You know that I

1742
00:54:52,670 --> 00:54:53,800



1743
00:54:52,680 --> 00:54:55,800
>> Yes, I understand.

1744
00:54:53,790 --> 00:54:55,800



1745
00:54:53,800 --> 00:54:58,040
>> That laughter disturbed me.

1746
00:54:55,790 --> 00:54:58,040



1747
00:54:55,800 --> 00:55:01,680
>> I'm sorry, I didn't think you were missing. But

1748
00:54:58,030 --> 00:55:01,680



1749
00:54:58,040 --> 00:55:04,280
because they didn't offend me, far from it.

1750
00:55:01,670 --> 00:55:04,280



1751
00:55:01,680 --> 00:55:08,760
They made me understand many things and

1752
00:55:04,270 --> 00:55:08,760



1753
00:55:04,280 --> 00:55:08,760
this is true. Sorry dear,

1755
00:55:10,040 --> 00:55:13,080
>> I am the grace of God. Madam,

1756
00:55:11,670 --> 00:55:13,080



1757
00:55:11,680 --> 00:55:14,440
>> don't worry, it's fine.

1758
00:55:13,070 --> 00:55:14,440



1759
00:55:13,080 --> 00:55:15,280
>> I've never found an audience more

1760
00:55:14,430 --> 00:55:15,280



1761
00:55:14,440 --> 00:55:17,280
incomprehensible,

1762
00:55:15,270 --> 00:55:17,280



1763
00:55:15,280 --> 00:55:18,040
>> but there are those who appreciate it. Come on, get on with it

1764
00:55:17,270 --> 00:55:18,040



1765
00:55:17,280 --> 00:55:18,920
projection

1766
00:55:18,030 --> 00:55:18,920



1767
00:55:18,040 --> 00:55:20,120
>> soon, ma'am.

1768
00:55:18,910 --> 00:55:20,120



1769
00:55:18,920 --> 00:55:21,960
>> Next. Then,

1770
00:55:20,110 --> 00:55:21,960



1771
00:55:20,120 --> 00:55:23,920
>> sorry, I heard your name mentioned a little while ago

1772
00:55:21,950 --> 00:55:23,920



1773
00:55:21,960 --> 00:55:24,960
of Mrs. Makosca, but it is perhaps in

1774
00:55:23,910 --> 00:55:24,960



1775
00:55:23,920 --> 00:55:27,280
room?

1776
00:55:24,950 --> 00:55:27,280



1777
00:55:24,960 --> 00:55:27,800
>> Yes, yes, she was there, but she left immediately.

1778
00:55:27,270 --> 00:55:27,800



1779
00:55:27,280 --> 00:55:28,360
Come on,

1780
00:55:27,790 --> 00:55:28,360



1781
00:55:27,800 --> 00:55:32,320
>> sorry,

1782
00:55:28,350 --> 00:55:32,320



1783
00:55:28,360 --> 00:55:32,320
>> forward. Turn off the light.

1785
00:55:36,200 --> 00:55:42,560
And finally, here are some precious ones

1786
00:55:39,150 --> 00:55:42,560



1787
00:55:39,160 --> 00:55:44,280
fragments of Fiatre number 13, excerpt

1788
00:55:42,550 --> 00:55:44,280



1789
00:55:42,560 --> 00:55:46,040
from the immortal novel of Saverio di

1790
00:55:44,270 --> 00:55:46,040



1791
00:55:44,280 --> 00:55:48,080
Montepen.

1792
00:55:46,030 --> 00:55:48,080



1793
00:55:46,040 --> 00:55:50,680
Superb performance by Elena

1794
00:55:48,070 --> 00:55:50,680



1795
00:55:48,080 --> 00:55:52,320
Makosca, one of the most memorable

1796
00:55:50,670 --> 00:55:52,320



1797
00:55:50,680 --> 00:55:54,640
cinematic events for

1798
00:55:52,310 --> 00:55:54,640



1799
00:55:52,320 --> 00:55:58,680
the debut of this magnificent woman,

1800
00:55:54,630 --> 00:55:58,680



1801
00:55:54,640 --> 00:56:00,920
royal, true, very truthful creature

1802
00:55:58,670 --> 00:56:00,920



1803
00:55:58,680 --> 00:56:03,760
cinematic. [music] The actress who

1804
00:56:00,910 --> 00:56:03,760



1805
00:56:00,920 --> 00:56:06,280
speak to the eyes and from the heart. Elena

1806
00:56:03,750 --> 00:56:06,280



1807
00:56:03,760 --> 00:56:08,800
Makosca, ladies and gentlemen, Polish

1808
00:56:06,270 --> 00:56:08,800



1809
00:56:06,280 --> 00:56:11,400
of origin, brought to the Italian scene

1810
00:56:08,790 --> 00:56:11,400



1811
00:56:08,800 --> 00:56:14,040
all the fire, the temperament,

1812
00:56:11,390 --> 00:56:14,040



1813
00:56:11,400 --> 00:56:16,600
the enigma of the Slavic soul aroused i

1814
00:56:14,030 --> 00:56:16,600



1815
00:56:14,040 --> 00:56:18,520
fanaticism of the crowds and tenderness

1816
00:56:16,590 --> 00:56:18,520



1817
00:56:16,600 --> 00:56:20,880
sometimes tragic of individuals

1818
00:56:18,510 --> 00:56:20,880



1819
00:56:18,520 --> 00:56:23,160
admirers. The Countess [music] is in

1820
00:56:20,870 --> 00:56:23,160



1821
00:56:20,880 --> 00:56:25,520
he suffers from tremendous anguish, since he has

1822
00:56:23,150 --> 00:56:25,520



1823
00:56:23,160 --> 00:56:27,080
received a letter blackmailing her.

1824
00:56:25,510 --> 00:56:27,080



1825
00:56:25,520 --> 00:56:29,320
It [music] was in fact the instigator

1826
00:56:27,070 --> 00:56:29,320



1827
00:56:27,080 --> 00:56:31,520
of a dark crime committed in Paris

1828
00:56:29,310 --> 00:56:31,520



1829
00:56:29,320 --> 00:56:34,120
on the Nei bridge, on the night of a

1830
00:56:31,510 --> 00:56:34,120



1831
00:56:31,520 --> 00:56:37,000
tragic Christmas. The shadow of this

1832
00:56:34,110 --> 00:56:37,000



1833
00:56:34,120 --> 00:56:41,440
past weighs on his life, now happy

1834
00:56:36,990 --> 00:56:41,440



1835
00:56:37,000 --> 00:56:41,440
and she fears for her little girl.

1837
00:56:43,240 --> 00:56:46,240
During a party in the castle of

1838
00:56:45,230 --> 00:56:46,240



1839
00:56:45,240 --> 00:56:49,040
Countess [music]

1840
00:56:46,230 --> 00:56:49,040



1841
00:56:46,240 --> 00:56:51,440
living paintings are organized and the

1842
00:56:49,030 --> 00:56:51,440



1843
00:56:49,040 --> 00:56:54,610
Countess herself appears there in Madame

1844
00:56:51,430 --> 00:56:54,610



1845
00:56:51,440 --> 00:56:54,610
Embroidery. [music]

1847
00:56:57,640 --> 00:57:02,480
But a tremendous surprise awaits her. One

1848
00:57:00,550 --> 00:57:02,480



1849
00:57:00,560 --> 00:57:05,480
of the subsequent paintings represents

1850
00:57:02,470 --> 00:57:05,480



1851
00:57:02,480 --> 00:57:07,880
precisely that crime on the Noi bridge

1852
00:57:05,470 --> 00:57:07,880



1853
00:57:05,480 --> 00:57:09,760
for which [music] it is responsible.

1854
00:57:07,870 --> 00:57:09,760



1855
00:57:07,880 --> 00:57:12,760
It is a dark ploy by his enemies to

1856
00:57:09,750 --> 00:57:12,760



1857
00:57:09,760 --> 00:57:12,760
unmask her.

1859
00:57:12,890 --> 00:57:14,910
[music]

1861
00:57:19,440 --> 00:57:21,460
>> [music]

1863
00:57:26,650 --> 00:57:28,670
[music]

1865
00:57:37,780 --> 00:57:39,800
[music]

1867
00:57:43,020 --> 00:57:46,040
[music]

1868
00:57:44,390 --> 00:57:46,040



1869
00:57:44,400 --> 00:57:47,960
>> Feeling lost to the countess,

1870
00:57:46,030 --> 00:57:47,960



1871
00:57:46,040 --> 00:57:51,720
you prefer Suicide has a life

1872
00:57:47,950 --> 00:57:51,720



1873
00:57:47,960 --> 00:57:51,720
unworthy of her children.

1875
00:57:54,160 --> 00:57:56,180
[music]

1877
00:58:02,020 --> 00:58:04,040
>> [music]

1879
00:58:07,910 --> 00:58:09,930
[music]

1881
00:58:18,390 --> 00:58:20,410
[music]

1883
00:58:23,640 --> 00:58:25,660
[music]

1885
00:58:29,530 --> 00:58:31,550
[music]

1887
00:58:34,770 --> 00:58:40,800
[music]

1888
00:58:36,110 --> 00:58:40,800



1889
00:58:36,120 --> 00:58:40,800
>> Elena, but why

1891
00:58:41,320 --> 00:58:43,340
[music]

1893
00:58:45,400 --> 00:58:53,720
>> what's wrong dear? Do you feel bad?

1894
00:58:47,670 --> 00:58:53,720



1895
00:58:47,680 --> 00:58:53,720
>> No, no. Carry on, carry on. Stop.

1897
00:58:54,320 --> 00:58:58,400
>> Ah, how rude.

1898
00:58:55,670 --> 00:58:58,400



1899
00:58:55,680 --> 00:58:59,840
>> I'm outraged, my dear. It's an audience

1900
00:58:58,390 --> 00:58:59,840



1901
00:58:58,400 --> 00:59:01,520
superficial.

1902
00:58:59,830 --> 00:59:01,520



1903
00:58:59,840 --> 00:59:03,280
>> The macosca had not gone away. I have

1904
00:59:01,510 --> 00:59:03,280



1905
00:59:01,520 --> 00:59:05,120
understood the trick. The Baroness wanted it

1906
00:59:03,270 --> 00:59:05,120



1907
00:59:03,280 --> 00:59:06,840
having fun behind his back and I am

1908
00:59:05,110 --> 00:59:06,840



1909
00:59:05,120 --> 00:59:09,400
ready for his game.

1910
00:59:06,830 --> 00:59:09,400



1911
00:59:06,840 --> 00:59:10,920
>> I'm mortified. Stay a little longer.

1912
00:59:09,390 --> 00:59:10,920



1913
00:59:09,400 --> 00:59:12,640
Let's show a comedy, let's do it

1914
00:59:10,910 --> 00:59:12,640



1915
00:59:10,920 --> 00:59:15,080
four laughs.

1916
00:59:12,630 --> 00:59:15,080



1917
00:59:12,640 --> 00:59:18,880
>> No, it was like seeing i come to life again

1918
00:59:15,070 --> 00:59:18,880



1919
00:59:15,080 --> 00:59:22,720
dead. They are memories that must sleep.

1920
00:59:18,870 --> 00:59:22,720



1921
00:59:18,880 --> 00:59:23,760
Sorry if I'm leaving. It's better.

1922
00:59:22,710 --> 00:59:23,760



1923
00:59:22,720 --> 00:59:26,440
I'll let you accompany me.

1924
00:59:23,750 --> 00:59:26,440



1925
00:59:23,760 --> 00:59:29,120
>> Yes.

1926
00:59:26,430 --> 00:59:29,120



1927
00:59:26,440 --> 00:59:29,120
>> Elena.

1929
00:59:32,160 --> 00:59:35,160
Well, what are you doing? You said that one

1930
00:59:33,750 --> 00:59:35,160



1931
00:59:33,760 --> 00:59:36,680
film is a masterpiece and mo not la

1932
00:59:35,150 --> 00:59:36,680



1933
00:59:35,160 --> 00:59:39,120
do you want to see?

1934
00:59:36,670 --> 00:59:39,120



1935
00:59:36,680 --> 00:59:40,640
>> Shut up, you can't understand. After

1936
00:59:39,110 --> 00:59:40,640



1937
00:59:39,120 --> 00:59:43,120
what happened yesterday, I don't know

1938
00:59:40,630 --> 00:59:43,120



1939
00:59:40,640 --> 00:59:45,040
more what to do. Even if the duse had to

1940
00:59:43,110 --> 00:59:45,040



1941
00:59:43,120 --> 00:59:46,920
make audiences laugh today, so what?

1942
00:59:45,030 --> 00:59:46,920



1943
00:59:45,040 --> 00:59:48,920
>> Eh, you're too fanatical. Come on,

1944
00:59:46,910 --> 00:59:48,920



1945
00:59:46,920 --> 00:59:49,480
let me see this shit. I swear not

1946
00:59:48,910 --> 00:59:49,480



1947
00:59:48,920 --> 00:59:51,840
I laugh.

1948
00:59:49,470 --> 00:59:51,840



1949
00:59:49,480 --> 00:59:53,240
>> No, I will never screen anything again.

1950
00:59:51,830 --> 00:59:53,240



1951
00:59:51,840 --> 00:59:55,560
>> And how will you make a living?

1952
00:59:53,230 --> 00:59:55,560



1953
00:59:53,240 --> 00:59:57,200
>> I'll make do.

1954
00:59:55,550 --> 00:59:57,200



1955
00:59:55,560 --> 01:00:00,520
Why don't you open a room to teach

1956
00:59:57,190 --> 01:00:00,520



1957
00:59:57,200 --> 01:00:04,440
making films and that's how I feel too.

1958
01:00:00,510 --> 01:00:04,440



1959
01:00:00,520 --> 01:00:05,560
>> Who is he? After you.

1960
01:00:04,430 --> 01:00:05,560



1961
01:00:04,440 --> 01:00:07,040
>> Mr. Omery.

1962
01:00:05,550 --> 01:00:07,040



1963
01:00:05,560 --> 01:00:07,960
>> It's me. Wish

1964
01:00:07,030 --> 01:00:07,960



1965
01:00:07,040 --> 01:00:09,320
>> In Storry.

1966
01:00:07,950 --> 01:00:09,320



1967
01:00:07,960 --> 01:00:11,320
>> How can I?

1968
01:00:09,310 --> 01:00:11,320



1969
01:00:09,320 --> 01:00:12,440
>> I am Giorgio Astorry from Vulcano

1970
01:00:11,310 --> 01:00:12,440



1971
01:00:11,320 --> 01:00:13,880
Movies.

1972
01:00:12,430 --> 01:00:13,880



1973
01:00:12,440 --> 01:00:15,440
>> You are the son of the late

1974
01:00:13,870 --> 01:00:15,440



1975
01:00:13,880 --> 01:00:17,720
Commander Astorry.

1976
01:00:15,430 --> 01:00:17,720



1977
01:00:15,440 --> 01:00:19,920
>> Precisely his father was a

1978
01:00:17,710 --> 01:00:19,920



1979
01:00:17,720 --> 01:00:22,040
pioneer of Italian cinema.

1980
01:00:19,910 --> 01:00:22,040



1981
01:00:19,920 --> 01:00:23,480
>> I know. Leave it, leave it. It's natural that she

1982
01:00:22,030 --> 01:00:23,480



1983
01:00:22,040 --> 01:00:24,400
know it. Still, it's nice

1984
01:00:23,470 --> 01:00:24,400



1985
01:00:23,480 --> 01:00:25,920
remember it.

1986
01:00:24,390 --> 01:00:25,920



1987
01:00:24,400 --> 01:00:28,480
>> And ass doesn't do ceremonies.

1988
01:00:25,910 --> 01:00:28,480



1989
01:00:25,920 --> 01:00:30,480
>> Thank you. About my father, you know

1990
01:00:28,470 --> 01:00:30,480



1991
01:00:28,480 --> 01:00:33,200
who married the actress Elena Maosca.

1992
01:00:30,470 --> 01:00:33,200



1993
01:00:30,480 --> 01:00:34,880
>> Great, unforgettable. There it is. I have

1994
01:00:33,190 --> 01:00:34,880



1995
01:00:33,200 --> 01:00:36,040
had the pleasure and honor of seeing her again

1996
01:00:34,870 --> 01:00:36,040



1997
01:00:34,880 --> 01:00:39,120
last night.

1998
01:00:36,030 --> 01:00:39,120



1999
01:00:36,040 --> 01:00:41,560
>> Exactly, they were screened last night

2000
01:00:39,110 --> 01:00:41,560



2001
01:00:39,120 --> 01:00:43,560
in a private house some fragments of

2002
01:00:41,550 --> 01:00:43,560



2003
01:00:41,560 --> 01:00:47,520
films about my mother.

2004
01:00:43,550 --> 01:00:47,520



2005
01:00:43,560 --> 01:00:50,080
>> Stano, it won't happen again. As you think, but

2006
01:00:47,510 --> 01:00:50,080



2007
01:00:47,520 --> 01:00:52,800
I want to buy those fragments back.

2008
01:00:50,070 --> 01:00:52,800



2009
01:00:50,080 --> 01:00:54,800
My father, when he married her, retired and

2010
01:00:52,790 --> 01:00:54,800



2011
01:00:52,800 --> 01:00:56,240
destroyed all his films.

2012
01:00:54,790 --> 01:00:56,240



2013
01:00:54,800 --> 01:00:57,920
>> He did very badly.

2014
01:00:56,230 --> 01:00:57,920



2015
01:00:56,240 --> 01:00:59,440
>> Let go, favor me those

2016
01:00:57,910 --> 01:00:59,440



2017
01:00:57,920 --> 01:01:00,240
fragments, I will pay them well.

2018
01:00:59,430 --> 01:01:00,240



2019
01:00:59,440 --> 01:01:01,880
>> Never.

2020
01:01:00,230 --> 01:01:01,880



2021
01:01:00,240 --> 01:01:04,000
>> Look, I'm aware of what it is

2022
01:01:01,870 --> 01:01:04,000



2023
01:01:01,880 --> 01:01:06,320
happened in the Caprioli house. My mother has

2024
01:01:03,990 --> 01:01:06,320



2025
01:01:04,000 --> 01:01:07,120
had a shock and went home in

2026
01:01:06,310 --> 01:01:07,120



2027
01:01:06,320 --> 01:01:09,400
tears.

2028
01:01:07,110 --> 01:01:09,400



2029
01:01:07,120 --> 01:01:12,560
>> She was crying and why was everyone laughing at her.

2030
01:01:09,390 --> 01:01:12,560



2031
01:01:09,400 --> 01:01:14,480
>> Go away. They laughed. Rice abounds on the

2032
01:01:12,550 --> 01:01:14,480



2033
01:01:12,560 --> 01:01:15,960
mouth of fools. Maybe, but not me

2034
01:01:14,470 --> 01:01:15,960



2035
01:01:14,480 --> 01:01:16,600
I can let him laugh behind his back

2036
01:01:15,950 --> 01:01:16,600



2037
01:01:15,960 --> 01:01:18,280
of my mother.

2038
01:01:16,590 --> 01:01:18,280



2039
01:01:16,600 --> 01:01:20,720
>> Nobody will laugh anymore.

2040
01:01:18,270 --> 01:01:20,720



2041
01:01:18,280 --> 01:01:21,760
>> Well, give me the film. I will give them

2042
01:01:20,710 --> 01:01:21,760



2043
01:01:20,720 --> 01:01:23,160
50,000 lire.

2044
01:01:21,750 --> 01:01:23,160



2045
01:01:21,760 --> 01:01:23,520
>> Knight, what are you waiting for? Don't do it

2046
01:01:23,150 --> 01:01:23,520



2047
01:01:23,160 --> 01:01:24,520
stupid.

2048
01:01:23,510 --> 01:01:24,520



2049
01:01:23,520 --> 01:01:27,520
>> Go away.

2050
01:01:24,510 --> 01:01:27,520



2051
01:01:24,520 --> 01:01:29,360
>> No, look, I'm very sorry, but I can't.

2052
01:01:27,510 --> 01:01:29,360



2053
01:01:27,520 --> 01:01:30,920
100,000 lire and we won't talk about it anymore.

2054
01:01:29,350 --> 01:01:30,920



2055
01:01:29,360 --> 01:01:31,520
>> Lord, I am poor, but not me

2056
01:01:30,910 --> 01:01:31,520



2057
01:01:30,920 --> 01:01:32,720
I'm selling.

2058
01:01:31,510 --> 01:01:32,720



2059
01:01:31,520 --> 01:01:33,880
>> But are you selling a film?

2060
01:01:32,710 --> 01:01:33,880



2061
01:01:32,720 --> 01:01:35,720
>> Impossible.

2062
01:01:33,870 --> 01:01:35,720



2063
01:01:33,880 --> 01:01:37,960
>> I will appeal to court, I will let them pass

2064
01:01:35,710 --> 01:01:37,960



2065
01:01:35,720 --> 01:01:39,640
a lot of trouble.

2066
01:01:37,950 --> 01:01:39,640



2067
01:01:37,960 --> 01:01:40,120
The rights to these films are not

2068
01:01:39,630 --> 01:01:40,120



2069
01:01:39,640 --> 01:01:41,920
his.

2070
01:01:40,110 --> 01:01:41,920



2071
01:01:40,120 --> 01:01:43,120
>> They are not mine, but they are art. And in

2072
01:01:41,910 --> 01:01:43,120



2073
01:01:41,920 --> 01:01:44,760
name of the art I will never sell

2074
01:01:43,110 --> 01:01:44,760



2075
01:01:43,120 --> 01:01:46,360
these films to destroy them as

2076
01:01:44,750 --> 01:01:46,360



2077
01:01:44,760 --> 01:01:48,600
she would like. I'll give this to someone

2078
01:01:46,350 --> 01:01:48,600



2079
01:01:46,360 --> 01:01:49,760
museum, not to her. Never.

2080
01:01:48,590 --> 01:01:49,760



2081
01:01:48,600 --> 01:01:51,280
>> Do you think about it carefully?

2082
01:01:49,750 --> 01:01:51,280



2083
01:01:49,760 --> 01:01:52,800
>> Go away.

2084
01:01:51,270 --> 01:01:52,800



2085
01:01:51,280 --> 01:01:54,440
We'll see you again in court.

2086
01:01:52,790 --> 01:01:54,440



2087
01:01:52,800 --> 01:01:56,000
>> We'll see you again in court. We'll see each other again

2088
01:01:54,430 --> 01:01:56,000



2089
01:01:54,440 --> 01:02:00,440
where she wants. But I these films

2090
01:01:55,990 --> 01:02:00,440



2091
01:01:56,000 --> 01:02:00,440
I will never give them to him. Never and never.

2093
01:02:13,560 --> 01:02:16,320
>> Listen, you really want the films of

2094
01:02:15,710 --> 01:02:16,320



2095
01:02:15,720 --> 01:02:18,600
your mother?

2096
01:02:16,310 --> 01:02:18,600



2097
01:02:16,320 --> 01:02:20,120
>> Sure I want them and I will get them back. But

2098
01:02:18,590 --> 01:02:20,120



2099
01:02:18,600 --> 01:02:20,920
that's cooked like a muled and so on

2100
01:02:20,110 --> 01:02:20,920



2101
01:02:20,120 --> 01:02:22,800
a little piece.

2102
01:02:20,910 --> 01:02:22,800



2103
01:02:20,920 --> 01:02:24,640
>> The judge will take care of making him pass to

2104
01:02:22,790 --> 01:02:24,640



2105
01:02:22,800 --> 01:02:26,480
that's crazy.

2106
01:02:24,630 --> 01:02:26,480



2107
01:02:24,640 --> 01:02:28,040
>> If you really want them I can give them to you.

2108
01:02:26,470 --> 01:02:28,040



2109
01:02:26,480 --> 01:02:30,480
>> Aren't you kidding?

2110
01:02:28,030 --> 01:02:30,480



2111
01:02:28,040 --> 01:02:32,480
>> I am a serious girl.

2112
01:02:30,470 --> 01:02:32,480



2113
01:02:30,480 --> 01:02:34,160
>> Okay, bring them to me and I'll make you a nice one

2114
01:02:32,470 --> 01:02:34,160



2115
01:02:32,480 --> 01:02:36,480
gift. What would you like?

2116
01:02:34,150 --> 01:02:36,480



2117
01:02:34,160 --> 01:02:38,400
>> No gifts. You have to do that to me

2118
01:02:36,470 --> 01:02:38,400



2119
01:02:36,480 --> 01:02:41,710
what is done in the cinema at

2120
01:02:38,390 --> 01:02:41,710



2121
01:02:38,400 --> 01:02:43,400
girls. What is his name? The soaker

2122
01:02:41,700 --> 01:02:43,400



2123
01:02:41,710 --> 01:02:44,360
[laughter] what are you laughing at? I know maybe

2124
01:02:43,390 --> 01:02:44,360



2125
01:02:43,400 --> 01:02:46,520
a horse me.

2126
01:02:44,350 --> 01:02:46,520



2127
01:02:44,360 --> 01:02:47,920
>> But do you want to make films? Sure, me

2128
01:02:46,510 --> 01:02:47,920



2129
01:02:46,520 --> 01:02:49,600
I have the vocation.

2130
01:02:47,910 --> 01:02:49,600



2131
01:02:47,920 --> 01:02:51,320
>> So, let me get those ed films

2132
01:02:49,590 --> 01:02:51,320



2133
01:02:49,600 --> 01:02:53,480
I'll give you an audition.

2134
01:02:51,310 --> 01:02:53,480



2135
01:02:51,320 --> 01:02:55,440
>> No, you give me the audition first and then I give

2136
01:02:53,470 --> 01:02:55,440



2137
01:02:53,480 --> 01:02:57,760
your mother's film.

2138
01:02:55,430 --> 01:02:57,760



2139
01:02:55,440 --> 01:02:58,880
>> Okay, I'll audition you. Whenever you want

2140
01:02:57,750 --> 01:02:58,880



2141
01:02:57,760 --> 01:03:00,160
come to the factory?

2142
01:02:58,870 --> 01:03:00,160



2143
01:02:58,880 --> 01:03:00,800
>> Even now, so I can have a nice one

2144
01:03:00,150 --> 01:03:00,800



2145
01:03:00,160 --> 01:03:04,840
walk.

2146
01:03:00,790 --> 01:03:04,840



2147
01:03:00,800 --> 01:03:04,840
>> So, let's go. Jump up.

2149
01:03:32,800 --> 01:03:35,840
>> [music]

2150
01:03:34,310 --> 01:03:35,840



2151
01:03:34,320 --> 01:03:38,640
>> Is it allowed?

2152
01:03:35,830 --> 01:03:38,640



2153
01:03:35,840 --> 01:03:42,280
Oh, Elena, you here. Oh, marry me into this

2154
01:03:38,630 --> 01:03:42,280



2155
01:03:38,640 --> 01:03:46,400
been, so I'm mortified.

2156
01:03:42,270 --> 01:03:46,400



2157
01:03:42,280 --> 01:03:48,040
>> And that these are our masterpieces

2158
01:03:46,390 --> 01:03:48,040



2159
01:03:46,400 --> 01:03:51,840
and our dreams?

2160
01:03:48,030 --> 01:03:51,840



2161
01:03:48,040 --> 01:03:54,200
>> And I'm the poor rigtiere of dreams.

2162
01:03:51,830 --> 01:03:54,200



2163
01:03:51,840 --> 01:03:57,280
Never over, I don't want to be anymore.

2164
01:03:54,190 --> 01:03:57,280



2165
01:03:54,200 --> 01:03:59,040
Enough. And why? Because I don't want it anymore

2166
01:03:57,270 --> 01:03:59,040



2167
01:03:57,280 --> 01:04:01,240
let us laugh at Elena Macosca, nor at

2168
01:03:59,030 --> 01:04:01,240



2169
01:03:59,040 --> 01:04:01,880
Francesca Bertini, neither devorelli, nor di

2170
01:04:01,230 --> 01:04:01,880



2171
01:04:01,240 --> 01:04:05,200
nobody.

2172
01:04:01,870 --> 01:04:05,200



2173
01:04:01,880 --> 01:04:06,000
>> Do you want to destroy them? No, I'll give him a

2174
01:04:05,190 --> 01:04:06,000



2175
01:04:05,200 --> 01:04:08,640
museum.

2176
01:04:05,990 --> 01:04:08,640



2177
01:04:06,000 --> 01:04:11,280
>> You're right, we really have become

2178
01:04:08,630 --> 01:04:11,280



2179
01:04:08,640 --> 01:04:13,240
museum stuff.

2180
01:04:11,270 --> 01:04:13,240



2181
01:04:11,280 --> 01:04:15,880
And to think I got yours

2182
01:04:13,230 --> 01:04:15,880



2183
01:04:13,240 --> 01:04:19,320
address and I came this far to

2184
01:04:15,870 --> 01:04:19,320



2185
01:04:15,880 --> 01:04:21,270
see them all again. Elena, in each of

2186
01:04:19,310 --> 01:04:21,270



2187
01:04:19,320 --> 01:04:23,760
These films have a bit of mine left

2188
01:04:21,260 --> 01:04:23,760



2189
01:04:21,270 --> 01:04:25,120
[music] heart. Imagine you with that

2190
01:04:23,750 --> 01:04:25,120



2191
01:04:23,760 --> 01:04:27,040
anime you could bear that a

2192
01:04:25,110 --> 01:04:27,040



2193
01:04:25,120 --> 01:04:27,800
stupid and senseless public

2194
01:04:27,030 --> 01:04:27,800



2195
01:04:27,040 --> 01:04:31,080
artistic.

2196
01:04:27,790 --> 01:04:31,080



2197
01:04:27,800 --> 01:04:32,800
>> Yes, that's true. I was in a lot of pain last night.

2198
01:04:31,070 --> 01:04:32,800



2199
01:04:31,080 --> 01:04:33,720
>> Me too. For you above all.

2200
01:04:32,790 --> 01:04:33,720



2201
01:04:32,800 --> 01:04:35,600
>> Thank you.

2202
01:04:33,710 --> 01:04:35,600



2203
01:04:33,720 --> 01:04:37,040
>> But I believe in these films and them

2204
01:04:35,590 --> 01:04:37,040



2205
01:04:35,600 --> 01:04:40,640
I will keep despite everyone.

2206
01:04:37,030 --> 01:04:40,640



2207
01:04:37,040 --> 01:04:42,360
>> Let's meet again just the two of us. They are ours.

2208
01:04:40,630 --> 01:04:42,360



2209
01:04:40,640 --> 01:04:44,960
We acted in it together. [music]

2210
01:04:42,350 --> 01:04:44,960



2211
01:04:42,360 --> 01:04:46,400
>> No, no. I realized it's like discovery

2212
01:04:44,950 --> 01:04:46,400



2213
01:04:44,960 --> 01:04:47,240
a tomb, our tomb

2214
01:04:46,390 --> 01:04:47,240



2215
01:04:46,400 --> 01:04:50,560
youth.

2216
01:04:47,230 --> 01:04:50,560



2217
01:04:47,240 --> 01:04:52,710
>> Maybe you're right, but you have a movie in

2218
01:04:50,550 --> 01:04:52,710



2219
01:04:50,560 --> 01:04:54,730
machine.

2220
01:04:52,700 --> 01:04:54,730



2221
01:04:52,710 --> 01:04:54,730
[music]

2223
01:05:01,200 --> 01:05:04,550
Ah. [music]

2225
01:05:09,740 --> 01:05:11,760
[music]

2227
01:05:15,640 --> 01:05:17,660
>> [music]

2229
01:05:27,430 --> 01:05:29,450
[music]

2231
01:05:42,490 --> 01:05:44,510
[music]

2233
01:05:57,550 --> 01:05:59,570
[music]

2235
01:06:04,110 --> 01:06:06,130
[music]

2237
01:06:09,340 --> 01:06:13,830
[music]

2238
01:06:10,830 --> 01:06:13,840



2239
01:06:10,840 --> 01:06:13,840
>> เฮ

2241
01:06:16,550 --> 01:06:18,570
[music]

2243
01:06:28,990 --> 01:06:31,010
[music]

2245
01:06:37,510 --> 01:06:39,530
[music]

2247
01:06:51,920 --> 01:06:53,940
>> [music]

2249
01:06:58,470 --> 01:07:00,490
[music]

2251
01:07:08,300 --> 01:07:10,320
[music]

2253
01:07:10,440 --> 01:07:14,900
>> เฮ

2254
01:07:12,870 --> 01:07:14,900



2255
01:07:12,880 --> 01:07:14,900
[music]

2257
01:07:29,910 --> 01:07:31,930
[music]

2259
01:07:35,810 --> 01:07:37,830
[music]

2261
01:07:49,560 --> 01:07:51,580
>> [music]

2263
01:07:58,080 --> 01:08:00,100
[music]

2265
01:08:04,280 --> 01:08:06,800
>> Goes a little with the 5000.

2266
01:08:05,390 --> 01:08:06,800



2267
01:08:05,400 --> 01:08:09,800
>> Well, we're ready. Do we want to go? Yes or

2268
01:08:06,790 --> 01:08:09,800



2269
01:08:06,800 --> 01:08:09,800
no?

2271
01:08:10,080 --> 01:08:13,360
Miss, if you want to tidy up?

2272
01:08:11,510 --> 01:08:13,360



2273
01:08:11,520 --> 01:08:15,680
Come on, let's try the cart. Put a

2274
01:08:13,350 --> 01:08:15,680



2275
01:08:13,360 --> 01:08:17,480
grigiotino with the 500.

2276
01:08:15,670 --> 01:08:17,480



2277
01:08:15,680 --> 01:08:21,120
Well,

2278
01:08:17,470 --> 01:08:21,120



2279
01:08:17,480 --> 01:08:21,120
doctor, we are ready.

2281
01:08:23,280 --> 01:08:25,360
So, do you understand? As soon as you ring

2282
01:08:24,790 --> 01:08:25,360



2283
01:08:24,800 --> 01:08:27,240
telephone.

2284
01:08:25,350 --> 01:08:27,240



2285
01:08:25,360 --> 01:08:28,880
>> And stay calm, I'll run. I believe a

2286
01:08:27,230 --> 01:08:28,880



2287
01:08:27,240 --> 01:08:29,320
sir instead my lover and his

2288
01:08:28,870 --> 01:08:29,320



2289
01:08:28,880 --> 01:08:31,400
I speak.

2290
01:08:29,310 --> 01:08:31,400



2291
01:08:29,320 --> 01:08:32,920
>> There you go, well done. And be careful, eh.

2292
01:08:31,390 --> 01:08:32,920



2293
01:08:31,400 --> 01:08:34,400
>> And what does it take to do this nonsense?

2294
01:08:32,910 --> 01:08:34,400



2295
01:08:32,920 --> 01:08:37,040
Courage. Come on,

2296
01:08:34,390 --> 01:08:37,040



2297
01:08:34,400 --> 01:08:37,720
>> Mariannina, be careful and stay calm. Stay

2298
01:08:37,030 --> 01:08:37,720



2299
01:08:37,040 --> 01:08:41,240
calm,

2300
01:08:37,710 --> 01:08:41,240



2301
01:08:37,720 --> 01:08:45,400
>> stay calm. Come on, come on, don't think about it.

2302
01:08:41,230 --> 01:08:45,400



2303
01:08:41,240 --> 01:08:48,160
But but but engine

2304
01:08:45,390 --> 01:08:48,160



2305
01:08:45,400 --> 01:08:53,200
>> audition excellence. Zero before

2306
01:08:48,150 --> 01:08:53,200



2307
01:08:48,160 --> 01:08:55,280
>> action. Yes, yes. It's your turn. Drin drin.

2308
01:08:53,190 --> 01:08:55,280



2309
01:08:53,200 --> 01:08:58,120
>> Ah, but you also act as a telephone.

2310
01:08:55,270 --> 01:08:58,120



2311
01:08:55,280 --> 01:08:59,240
>> Stop. Yes, I also do the telephone

2312
01:08:58,110 --> 01:08:59,240



2313
01:08:58,120 --> 01:09:01,000
now. Did you get it?

2314
01:08:59,230 --> 01:09:01,000



2315
01:08:59,240 --> 01:09:03,120
>> And you took me for an idiot. Let's go,

2316
01:09:00,990 --> 01:09:03,120



2317
01:09:01,000 --> 01:09:05,840
let's go. Now I'll show you how it's done

2318
01:09:03,110 --> 01:09:05,840



2319
01:09:03,120 --> 01:09:08,280
>> all over again. Ready,

2320
01:09:05,830 --> 01:09:08,280



2321
01:09:05,840 --> 01:09:08,280
>> ready.

2323
01:09:08,440 --> 01:09:09,440
Motor.

2324
01:09:09,070 --> 01:09:09,440



2325
01:09:09,080 --> 01:09:11,480
>> Hi.

2326
01:09:09,430 --> 01:09:11,480



2327
01:09:09,440 --> 01:09:15,640
>> Audition. Excellence. 0 second

2328
01:09:11,470 --> 01:09:15,640



2329
01:09:11,480 --> 01:09:17,600
>> action. Drin drin.

2330
01:09:15,630 --> 01:09:17,600



2331
01:09:15,640 --> 01:09:19,200
Ready?

2332
01:09:17,590 --> 01:09:19,200



2333
01:09:17,600 --> 01:09:20,840
Ready?

2334
01:09:19,190 --> 01:09:20,840



2335
01:09:19,200 --> 01:09:22,720
But no one here answers.

2336
01:09:20,830 --> 01:09:22,720



2337
01:09:20,840 --> 01:09:26,160
>> It doesn't mean pretend.

2338
01:09:22,710 --> 01:09:26,160



2339
01:09:22,720 --> 01:09:26,160
>> Ah, if I understand.

2341
01:09:26,200 --> 01:09:33,880
Ready? Ready? Who sits she.

2342
01:09:30,590 --> 01:09:33,880



2343
01:09:30,600 --> 01:09:36,240
As? Ah, is it you, Petruchio?

2344
01:09:33,870 --> 01:09:36,240



2345
01:09:33,880 --> 01:09:40,040
Petruchio of my heart. And how come you are

2346
01:09:36,230 --> 01:09:40,040



2347
01:09:36,240 --> 01:09:43,080
came to Rome? As? I'm fine and al

2348
01:09:40,030 --> 01:09:43,080



2349
01:09:40,040 --> 01:09:47,480
country they are not well. And the cow

2350
01:09:43,070 --> 01:09:47,480



2351
01:09:43,080 --> 01:09:48,840
how are you? And did the wolf get fat?

2352
01:09:47,470 --> 01:09:48,840



2353
01:09:47,480 --> 01:09:49,760
Well, we thanked the Madonna

2354
01:09:48,830 --> 01:09:49,760



2355
01:09:48,840 --> 01:09:51,920
Saint Anthony.

2356
01:09:49,750 --> 01:09:51,920



2357
01:09:49,760 --> 01:09:53,120
>> Stop. That's enough.

2358
01:09:51,910 --> 01:09:53,120



2359
01:09:51,920 --> 01:09:55,600
>> So little.

2360
01:09:53,110 --> 01:09:55,600



2361
01:09:53,120 --> 01:09:57,640
>> Eh, she's a cannon, she's very good.

2362
01:09:55,590 --> 01:09:57,640



2363
01:09:55,600 --> 01:09:59,040
>> So, can you write it for me? And how

2364
01:09:57,630 --> 01:09:59,040



2365
01:09:57,640 --> 01:09:59,840
But first you go get those for me

2366
01:09:59,030 --> 01:09:59,840



2367
01:09:59,040 --> 01:10:03,720
cosarelle

2368
01:09:59,830 --> 01:10:03,720



2369
01:09:59,840 --> 01:10:03,720
>> right away. Wait for me here.

2371
01:10:07,760 --> 01:10:11,160
>> Mariannina, where have you been? Where are you going?

2372
01:10:10,190 --> 01:10:11,160



2373
01:10:10,200 --> 01:10:12,200
There is no knight.

2374
01:10:11,150 --> 01:10:12,200



2375
01:10:11,160 --> 01:10:13,320
>> Did he leave you the key?

2376
01:10:12,190 --> 01:10:13,320



2377
01:10:12,200 --> 01:10:14,760
>> Yes, here it is.

2378
01:10:13,310 --> 01:10:14,760



2379
01:10:13,320 --> 01:10:16,600
>> Give it to me because I have to finish a little job.

2380
01:10:14,750 --> 01:10:16,600



2381
01:10:14,760 --> 01:10:17,080
>> But show me what you have

2382
01:10:16,590 --> 01:10:17,080



2383
01:10:16,600 --> 01:10:18,280
put

2384
01:10:17,070 --> 01:10:18,280



2385
01:10:17,080 --> 01:10:19,640
>> and I'll explain later.

2386
01:10:18,270 --> 01:10:19,640



2387
01:10:18,280 --> 01:10:20,960
>> But no, let me see.

2388
01:10:19,630 --> 01:10:20,960



2389
01:10:19,640 --> 01:10:23,720
>> I don't have time. Where did the knight go?

2390
01:10:20,950 --> 01:10:23,720



2391
01:10:20,960 --> 01:10:25,720
>> He said he'll be back in a half hour.

2392
01:10:23,710 --> 01:10:25,720



2393
01:10:23,720 --> 01:10:27,920
Here you keep these memorabilia, ma'am

2394
01:10:25,710 --> 01:10:27,920



2395
01:10:25,720 --> 01:10:29,800
director. Look, I'll give you all the

2396
01:10:27,910 --> 01:10:29,800



2397
01:10:27,920 --> 01:10:32,200
my films, as long as she keeps them,

2398
01:10:29,790 --> 01:10:32,200



2399
01:10:29,800 --> 01:10:34,240
that saves them from destruction. It could

2400
01:10:32,190 --> 01:10:34,240



2401
01:10:32,200 --> 01:10:35,960
create a section here for the

2402
01:10:34,230 --> 01:10:35,960



2403
01:10:34,240 --> 01:10:39,160
cinema? I would think about it

2404
01:10:35,950 --> 01:10:39,160



2405
01:10:35,960 --> 01:10:41,000
organize it. I only ask you this.

2406
01:10:39,150 --> 01:10:41,000



2407
01:10:39,160 --> 01:10:42,720
>> She is very kind. Unfortunately the

2408
01:10:40,990 --> 01:10:42,720



2409
01:10:41,000 --> 01:10:43,760
regulation only provides for the collection of

2410
01:10:42,710 --> 01:10:43,760



2411
01:10:42,720 --> 01:10:46,640
works of art.

2412
01:10:43,750 --> 01:10:46,640



2413
01:10:43,760 --> 01:10:49,280
>> But is this art too, ma'am?

2414
01:10:46,630 --> 01:10:49,280



2415
01:10:46,640 --> 01:10:51,800
>> Oh, sure, figurative art, I meant.

2416
01:10:49,270 --> 01:10:51,800



2417
01:10:49,280 --> 01:10:52,720
But look if I tell lies, this is the

2418
01:10:51,790 --> 01:10:52,720



2419
01:10:51,800 --> 01:10:56,400
duse.

2420
01:10:52,710 --> 01:10:56,400



2421
01:10:52,720 --> 01:10:56,400
>> But why does he want to deprive himself of it?

2423
01:11:03,160 --> 01:11:07,600
>> You see, sir, I am poor and lived

2424
01:11:05,790 --> 01:11:07,600



2425
01:11:05,800 --> 01:11:10,920
screening these films that are for me

2426
01:11:07,590 --> 01:11:10,920



2427
01:11:07,600 --> 01:11:13,160
more important than all these statues.

2428
01:11:10,910 --> 01:11:13,160



2429
01:11:10,920 --> 01:11:15,320
But today they just make me laugh, I don't think so

2430
01:11:13,150 --> 01:11:15,320



2431
01:11:13,160 --> 01:11:17,800
I noticed the other day. The audience

2432
01:11:15,310 --> 01:11:17,800



2433
01:11:15,320 --> 01:11:19,680
nowadays he thinks they are comedians.

2434
01:11:17,790 --> 01:11:19,680



2435
01:11:17,800 --> 01:11:21,280
Look, I hundreds of boxes like

2436
01:11:19,670 --> 01:11:21,280



2437
01:11:19,680 --> 01:11:23,000
this one at home. I have all the greats

2438
01:11:21,270 --> 01:11:23,000



2439
01:11:21,280 --> 01:11:25,000
craftsmen of the past. I have Zacconi, o

2440
01:11:22,990 --> 01:11:25,000



2441
01:11:23,000 --> 01:11:26,400
Novelli, or Labertini, or Laborelli.

2442
01:11:24,990 --> 01:11:26,400



2443
01:11:25,000 --> 01:11:28,280
>> I'm sorry I can't do anything about it

2444
01:11:26,390 --> 01:11:28,280



2445
01:11:26,400 --> 01:11:30,240
help her. You see, besides, there are films

2446
01:11:28,270 --> 01:11:30,240



2447
01:11:28,280 --> 01:11:32,120
flammable and I wouldn't know where to put them.

2448
01:11:30,230 --> 01:11:32,120



2449
01:11:30,240 --> 01:11:34,280
Try the National Library?

2450
01:11:32,110 --> 01:11:34,280



2451
01:11:32,120 --> 01:11:37,760
>> I'll try. Forgive me for the time

2452
01:11:34,270 --> 01:11:37,760



2453
01:11:34,280 --> 01:11:37,760
I made him lose.

2455
01:12:32,800 --> 01:12:34,920
Help! Burn everything

2456
01:12:34,310 --> 01:12:34,920



2457
01:12:34,320 --> 01:12:37,520
>> it burns here.

2458
01:12:34,910 --> 01:12:37,520



2459
01:12:34,920 --> 01:12:40,520
>> Call the firefighters, run away. Come

2460
01:12:37,510 --> 01:12:40,520



2461
01:12:37,520 --> 01:12:40,520
you.

2463
01:12:46,720 --> 01:12:51,120
What is it? All the firefighters.

2465
01:12:56,800 --> 01:13:00,080
>> We don't have enough space for

2466
01:12:58,350 --> 01:13:00,080



2467
01:12:58,360 --> 01:13:00,880
books and she wants me to take delivery

2468
01:13:00,070 --> 01:13:00,880



2469
01:13:00,080 --> 01:13:02,000
his films.

2470
01:13:00,870 --> 01:13:02,000



2471
01:13:00,880 --> 01:13:02,480
>> But look, these are works

2472
01:13:01,990 --> 01:13:02,480



2473
01:13:02,000 --> 01:13:04,200
important.

2474
01:13:02,470 --> 01:13:04,200



2475
01:13:02,480 --> 01:13:05,760
>> Don't insist. He knows what I would do to someone who has

2476
01:13:04,190 --> 01:13:05,760



2477
01:13:04,200 --> 01:13:08,160
invented the cinema? I do

2478
01:13:05,750 --> 01:13:08,160



2479
01:13:05,760 --> 01:13:10,080
I would kill. Yes, because today's youth

2480
01:13:08,150 --> 01:13:10,080



2481
01:13:08,160 --> 01:13:10,480
he doesn't study. He goes to the cinema. That's everyone

2482
01:13:10,070 --> 01:13:10,480



2483
01:13:10,080 --> 01:13:12,360
donkeys.

2484
01:13:10,470 --> 01:13:12,360



2485
01:13:10,480 --> 01:13:14,320
>> But will you at least know who Eleonora Duse is?

2486
01:13:12,350 --> 01:13:14,320



2487
01:13:12,360 --> 01:13:16,320
>> D'Annunzio's. But she's not dead.

2488
01:13:14,310 --> 01:13:16,320



2489
01:13:14,320 --> 01:13:18,560
>> Dead? Yes, it would be if he wasn't here

2490
01:13:16,310 --> 01:13:18,560



2491
01:13:16,320 --> 01:13:20,600
fixed in this film forever.

2492
01:13:18,550 --> 01:13:20,600



2493
01:13:18,560 --> 01:13:23,400
Look,

2494
01:13:20,590 --> 01:13:23,400



2495
01:13:20,600 --> 01:13:25,200
look.

2496
01:13:23,390 --> 01:13:25,200



2497
01:13:23,400 --> 01:13:26,760
>> But then why don't you apply to the

2498
01:13:25,190 --> 01:13:26,760



2499
01:13:25,200 --> 01:13:29,560
ministry? It may be that he does

2500
01:13:26,750 --> 01:13:29,560



2501
01:13:26,760 --> 01:13:32,160
I agree. Oh, yeah. And so everything goes to

2502
01:13:29,550 --> 01:13:32,160



2503
01:13:29,560 --> 01:13:34,120
place, but you have to be patient.

2504
01:13:32,150 --> 01:13:34,120



2505
01:13:32,160 --> 01:13:35,880
>> And how long will it take? Oh

2506
01:13:34,110 --> 01:13:35,880



2507
01:13:34,120 --> 01:13:38,000
>> My God! a year or two it will take a

2508
01:13:35,870 --> 01:13:38,000



2509
01:13:35,880 --> 01:13:39,600
decree, the allocation of funds.

2510
01:13:37,990 --> 01:13:39,600



2511
01:13:38,000 --> 01:13:41,400
>> Ah, I understand. Thank you.

2512
01:13:39,590 --> 01:13:41,400



2513
01:13:39,600 --> 01:13:42,720
>> Oh, please, tell me something. Not

2514
01:13:41,390 --> 01:13:42,720



2515
01:13:41,400 --> 01:13:44,400
would have by chance some

2516
01:13:42,710 --> 01:13:44,400



2517
01:13:42,720 --> 01:13:44,880
cinema ticket for mine

2518
01:13:44,390 --> 01:13:44,880



2519
01:13:44,400 --> 01:13:47,400
wife? Eh,

2520
01:13:44,870 --> 01:13:47,400



2521
01:13:44,880 --> 01:13:50,560
>> I'm sorry. Thanks again. Excuse me.

2522
01:13:47,390 --> 01:13:50,560



2523
01:13:47,400 --> 01:13:50,560
>> Oh, thanks.

2525
01:14:18,520 --> 01:14:22,360
Is there a danger, could it explode?

2526
01:14:19,910 --> 01:14:22,360



2527
01:14:19,920 --> 01:14:25,640
>> Yes, there are motion picture films.

2528
01:14:22,350 --> 01:14:25,640



2529
01:14:22,360 --> 01:14:25,640
Stand back.

2531
01:14:26,880 --> 01:14:31,560
Knight there burns

2533
01:14:32,600 --> 01:14:37,160
my films. Help!

2535
01:14:37,280 --> 01:14:42,040
My films! My films!

2536
01:14:39,750 --> 01:14:42,040



2537
01:14:39,760 --> 01:14:47,120
Leave me, leave me!

2538
01:14:42,030 --> 01:14:47,120



2539
01:14:42,040 --> 01:14:47,120
>> Back, back! Was the company yours?

2541
01:14:48,560 --> 01:14:54,720
Come with me, you are under arrest.

2542
01:14:51,470 --> 01:14:54,720



2543
01:14:51,480 --> 01:14:54,720
Let's go, let's go.

2545
01:14:59,160 --> 01:15:03,120
>> Favor, colleague.

2546
01:15:00,470 --> 01:15:03,120



2547
01:15:00,480 --> 01:15:06,120
>> Thank you. I'm not hungry.

2548
01:15:03,110 --> 01:15:06,120



2549
01:15:03,120 --> 01:15:06,120
>> Bad.

2551
01:15:06,640 --> 01:15:09,720
Eat, colleague. Here I have to have it

2552
01:15:07,950 --> 01:15:09,720



2553
01:15:07,960 --> 01:15:11,760
full stomach, otherwise you'll get it

2554
01:15:09,710 --> 01:15:11,760



2555
01:15:09,720 --> 01:15:14,200
weakness and inside they make you say

2556
01:15:11,750 --> 01:15:14,200



2557
01:15:11,760 --> 01:15:16,240
everything they want. Courage,

2558
01:15:14,190 --> 01:15:16,240



2559
01:15:14,200 --> 01:15:18,680
colleague. Connect.

2560
01:15:16,230 --> 01:15:18,680



2561
01:15:16,240 --> 01:15:21,000
Because, sorry, you're a too

2562
01:15:18,670 --> 01:15:21,000



2563
01:15:18,680 --> 01:15:22,560
cinema enthusiast.

2564
01:15:20,990 --> 01:15:22,560



2565
01:15:21,000 --> 01:15:24,240
Passionate?

2566
01:15:22,550 --> 01:15:24,240



2567
01:15:22,560 --> 01:15:26,160
You know how it is when he works in the cinema

2568
01:15:24,230 --> 01:15:26,160



2569
01:15:24,240 --> 01:15:28,000
Gina Lollo Brigid, who is she who isn't

2570
01:15:26,150 --> 01:15:28,000



2571
01:15:26,160 --> 01:15:28,920
passionate? But you work in the

2572
01:15:27,990 --> 01:15:28,920



2573
01:15:28,000 --> 01:15:30,600
cinema?

2574
01:15:28,910 --> 01:15:30,600



2575
01:15:28,920 --> 01:15:31,280
>> I have spent my whole life among

2576
01:15:30,590 --> 01:15:31,280



2577
01:15:30,600 --> 01:15:32,840
films.

2578
01:15:31,270 --> 01:15:32,840



2579
01:15:31,280 --> 01:15:34,600
>> No,

2580
01:15:32,830 --> 01:15:34,600



2581
01:15:32,840 --> 01:15:36,320
I too have experienced colossal days

2582
01:15:34,590 --> 01:15:36,320



2583
01:15:34,600 --> 01:15:38,840
Cuovatis. I did two days at

2584
01:15:36,310 --> 01:15:38,840



2585
01:15:36,320 --> 01:15:41,360
appearance, I took out a pen

2586
01:15:38,830 --> 01:15:41,360



2587
01:15:38,840 --> 01:15:43,400
fountain pen and a watch. The pen

2588
01:15:41,350 --> 01:15:43,400



2589
01:15:41,360 --> 01:15:46,320
he doesn't write and his watch is beat up.

2590
01:15:43,390 --> 01:15:46,320



2591
01:15:43,400 --> 01:15:49,200
Here, you'll get your bread back. I don't

2592
01:15:46,310 --> 01:15:49,200



2593
01:15:46,320 --> 01:15:51,200
I'm a thief, I'm an artist.

2594
01:15:49,190 --> 01:15:51,200



2595
01:15:49,200 --> 01:15:52,680
>> Eh, sorry, commentator, mine is a

2596
01:15:51,190 --> 01:15:52,680



2597
01:15:51,200 --> 01:15:54,640
profession like any other.

2598
01:15:52,670 --> 01:15:54,640



2599
01:15:52,680 --> 01:15:57,120
>> I discount my love for art here.

2600
01:15:54,630 --> 01:15:57,120



2601
01:15:54,640 --> 01:15:59,640
Well, then good love to you and good to me

2602
01:15:57,110 --> 01:15:59,640



2603
01:15:57,120 --> 01:16:03,240
appetite.

2604
01:15:59,630 --> 01:16:03,240



2605
01:15:59,640 --> 01:16:03,240
>> Gold to the commissioner.

2607
01:16:05,000 --> 01:16:07,960
So you declare that this film,

2608
01:16:06,990 --> 01:16:07,960



2609
01:16:07,000 --> 01:16:09,560
as well as the destroyed one

2610
01:16:07,950 --> 01:16:09,560



2611
01:16:07,960 --> 01:16:11,400
from the fire, they contained nothing

2612
01:16:09,550 --> 01:16:11,400



2613
01:16:09,560 --> 01:16:12,400
prohibited, yes, of subversive or of

2614
01:16:11,390 --> 01:16:12,400



2615
01:16:11,400 --> 01:16:14,000
licentious.

2616
01:16:12,390 --> 01:16:14,000



2617
01:16:12,400 --> 01:16:18,480
>> Sir, what do you say? These are films

2618
01:16:13,990 --> 01:16:18,480



2619
01:16:14,000 --> 01:16:18,480
old. Look how they stink. Listen.

2621
01:16:19,720 --> 01:16:22,880
>> Now we'll see.

2622
01:16:20,670 --> 01:16:22,880



2623
01:16:20,680 --> 01:16:24,240
>> And be careful with that cigarette. You

2624
01:16:22,870 --> 01:16:24,240



2625
01:16:22,880 --> 01:16:25,600
I have to say something.

2626
01:16:24,230 --> 01:16:25,600



2627
01:16:24,240 --> 01:16:27,280
>> What is he talking about?

2628
01:16:25,590 --> 01:16:27,280



2629
01:16:25,600 --> 01:16:29,040
>> I was the one who started the fire.

2630
01:16:27,270 --> 01:16:29,040



2631
01:16:27,280 --> 01:16:30,520
>> You and you did it on purpose.

2632
01:16:29,030 --> 01:16:30,520



2633
01:16:29,040 --> 01:16:32,040
>> And that I'm a murderer.

2634
01:16:30,510 --> 01:16:32,040



2635
01:16:30,520 --> 01:16:34,320
>> Except I left the film in

2636
01:16:32,030 --> 01:16:34,320



2637
01:16:32,040 --> 01:16:36,840
the machine without turning off the electricity

2638
01:16:34,310 --> 01:16:36,840



2639
01:16:34,320 --> 01:16:37,520
and I turned around and it caught fire. But you have

2640
01:16:36,830 --> 01:16:37,520



2641
01:16:36,840 --> 01:16:38,800
understood?

2642
01:16:37,510 --> 01:16:38,800



2643
01:16:37,520 --> 01:16:40,760
>> I get it, I get it.

2644
01:16:38,790 --> 01:16:40,760



2645
01:16:38,800 --> 01:16:43,320
>> And then arrest me and free that soul

2646
01:16:40,750 --> 01:16:43,320



2647
01:16:40,760 --> 01:16:45,680
of God.

2648
01:16:43,310 --> 01:16:45,680



2649
01:16:43,320 --> 01:16:46,080
>> Wretch, you destroyed mine

2650
01:16:45,670 --> 01:16:46,080



2651
01:16:45,680 --> 01:16:48,520
life.

2652
01:16:46,070 --> 01:16:48,520



2653
01:16:46,080 --> 01:16:50,560
>> Silence. Is this film yours?

2654
01:16:48,510 --> 01:16:50,560



2655
01:16:48,520 --> 01:16:52,720
>> Yes, sir.

2656
01:16:50,550 --> 01:16:52,720



2657
01:16:50,560 --> 01:16:55,760
So, take it.

2658
01:16:52,710 --> 01:16:55,760



2659
01:16:52,720 --> 01:17:00,720
See if the operator has arrived.

2660
01:16:55,750 --> 01:17:00,720



2661
01:16:55,760 --> 01:17:00,720
>> Yes, it has arrived. Come with me.

2663
01:17:02,040 --> 01:17:04,440
>> Project this.

2664
01:17:02,990 --> 01:17:04,440



2665
01:17:03,000 --> 01:17:07,680
>> No, no.

2666
01:17:04,430 --> 01:17:07,680



2667
01:17:04,440 --> 01:17:07,680
>> What would it be like?

2669
01:17:08,680 --> 01:17:13,960
>> Pull the curtain. Please take a seat, sir

2670
01:17:10,950 --> 01:17:13,960



2671
01:17:10,960 --> 01:17:13,960
commissioner.

2673
01:17:17,440 --> 01:17:20,440
>> Slowly,

2675
01:17:21,400 --> 01:17:24,400
plan.

2677
01:17:26,160 --> 01:17:29,600
>> I close the door.

2679
01:17:35,400 --> 01:17:38,400
>> Ready?

2681
01:17:48,800 --> 01:17:52,240
What [music] is this?

2682
01:17:50,910 --> 01:17:52,240



2683
01:17:50,920 --> 01:17:54,000
>> Cabiria,

2684
01:17:52,230 --> 01:17:54,000



2685
01:17:52,240 --> 01:17:54,960
>> that movie from back in the day.

2686
01:17:53,990 --> 01:17:54,960



2687
01:17:54,000 --> 01:17:56,320
>> Yes.

2688
01:17:54,950 --> 01:17:56,320



2689
01:17:54,960 --> 01:17:57,480
>> And where did I get it?

2690
01:17:56,310 --> 01:17:57,480



2691
01:17:56,320 --> 01:17:58,480
>> Shredded.

2692
01:17:57,470 --> 01:17:58,480



2693
01:17:57,480 --> 01:18:00,880
>> Wasted?

2694
01:17:58,470 --> 01:18:00,880



2695
01:17:58,480 --> 01:18:03,640
>> Old movies destroy them all.

2696
01:18:00,870 --> 01:18:03,640



2697
01:18:00,880 --> 01:18:07,680
Everyone.

2698
01:18:03,630 --> 01:18:07,680



2699
01:18:03,640 --> 01:18:09,280
Look at these colossal scenes. It is from 1913.

2700
01:18:07,670 --> 01:18:09,280



2701
01:18:07,680 --> 01:18:11,800
We Italians have taught the world

2702
01:18:09,270 --> 01:18:11,800



2703
01:18:09,280 --> 01:18:15,360
how historical films are made. None if

2704
01:18:11,790 --> 01:18:15,360



2705
01:18:11,800 --> 01:18:17,280
remembers more today.

2706
01:18:15,350 --> 01:18:17,280



2707
01:18:15,360 --> 01:18:19,040
That's the famous strongman who saves

2708
01:18:17,270 --> 01:18:19,040



2709
01:18:17,280 --> 01:18:20,880
Cabiria, [music] a Roman girl who

2710
01:18:19,030 --> 01:18:20,880



2711
01:18:19,040 --> 01:18:23,880
she was about to be sacrificed to the god

2712
01:18:20,870 --> 01:18:23,880



2713
01:18:20,880 --> 01:18:23,880
Moloch.

2715
01:18:24,920 --> 01:18:26,940
[music]

2717
01:18:29,120 --> 01:18:32,830
เฮ

2718
01:18:30,800 --> 01:18:32,830



2719
01:18:30,810 --> 01:18:32,830
[music]

2721
01:18:40,640 --> 01:18:42,660
[music]

2723
01:18:51,120 --> 01:18:53,140
[music]

2725
01:18:57,010 --> 01:18:59,030
[music]

2727
01:19:02,910 --> 01:19:04,930
>> [music]

2729
01:19:08,150 --> 01:19:10,170
[music]

2731
01:19:14,040 --> 01:19:16,060
[music]

2733
01:19:20,590 --> 01:19:22,610
[music]

2735
01:19:26,800 --> 01:19:31,780
>> Oh.

2736
01:19:29,750 --> 01:19:31,780



2737
01:19:29,760 --> 01:19:31,780
>> [music]

2739
01:19:32,080 --> 01:19:36,440
>> And who is this?

2740
01:19:33,310 --> 01:19:36,440



2741
01:19:33,320 --> 01:19:38,990
>> Italy Almirante Manzini. It was chosen by

2742
01:19:36,430 --> 01:19:38,990



2743
01:19:36,440 --> 01:19:38,990
Gabriele D'Annunzi. [music]

2745
01:19:42,210 --> 01:19:44,230
[music]

2747
01:19:51,380 --> 01:19:53,400
>> [music]

2749
01:19:56,620 --> 01:19:58,640
[music]

2751
01:20:03,820 --> 01:20:05,840
[music]

2753
01:20:12,340 --> 01:20:14,360
[music]

2755
01:20:17,240 --> 01:20:21,570
>> เฮ

2756
01:20:19,530 --> 01:20:21,560



2757
01:20:19,550 --> 01:20:21,570
[music]

2759
01:20:25,440 --> 01:20:27,460
[music]

2761
01:20:32,650 --> 01:20:34,670
[music]

2763
01:20:41,810 --> 01:20:43,830
[music]

2765
01:20:48,360 --> 01:20:50,380
>> [music]

2767
01:20:54,910 --> 01:20:56,930
[music]

2769
01:21:02,120 --> 01:21:04,140
[music]

2771
01:21:08,020 --> 01:21:10,040
[music]

2773
01:21:16,530 --> 01:21:18,550
[music]

2775
01:21:27,670 --> 01:21:29,690
[music]

2777
01:21:34,870 --> 01:21:36,890
[music]

2779
01:21:41,420 --> 01:21:43,440
[music]

2781
01:21:46,560 --> 01:21:48,640
>> เ

2783
01:21:51,250 --> 01:21:53,270
>> [music]

2785
01:21:59,120 --> 01:22:03,200
>> And this is the famous Zacconi, the

2786
01:22:01,470 --> 01:22:03,200



2787
01:22:01,480 --> 01:22:05,000
dominator of the audience, the one who al

2788
01:22:03,190 --> 01:22:05,000



2789
01:22:03,200 --> 01:22:07,760
just appearing on the scene made people vibrate

2790
01:22:04,990 --> 01:22:07,760



2791
01:22:05,000 --> 01:22:10,400
hearts, minds tremble, but [music]

2792
01:22:07,750 --> 01:22:10,400



2793
01:22:07,760 --> 01:22:12,280
he too is no longer and only a few meters away

2794
01:22:10,390 --> 01:22:12,280



2795
01:22:10,400 --> 01:22:14,760
of celluloid can remind us of it

2796
01:22:12,270 --> 01:22:14,760



2797
01:22:12,280 --> 01:22:18,200
young generations. That's why I have

2798
01:22:14,750 --> 01:22:18,200



2799
01:22:14,760 --> 01:22:18,200
saved these films.

2801
01:22:20,070 --> 01:22:22,090
>> [music]

2803
01:22:25,960 --> 01:22:27,980
[music]

2805
01:22:31,200 --> 01:22:33,220
[music]

2807
01:22:37,750 --> 01:22:39,770
[music]

2809
01:22:43,240 --> 01:22:46,960
>> Who is this? Eleonora Duse,

2810
01:22:45,590 --> 01:22:46,960



2811
01:22:45,600 --> 01:22:50,360
>> the famous actress.

2812
01:22:46,950 --> 01:22:50,360



2813
01:22:46,960 --> 01:22:52,760
>> Yes, he played a single film with Ash

2814
01:22:50,350 --> 01:22:52,760



2815
01:22:50,360 --> 01:22:54,720
Febo Mari and never finished it because the

2816
01:22:52,750 --> 01:22:54,720



2817
01:22:52,760 --> 01:22:57,200
cinema without the word le

2818
01:22:54,710 --> 01:22:57,200



2819
01:22:54,720 --> 01:22:58,840
it instilled fear. Of the divine Duse.

2820
01:22:57,190 --> 01:22:58,840



2821
01:22:57,200 --> 01:23:00,600
These are the only images

2822
01:22:58,830 --> 01:23:00,600



2823
01:22:58,840 --> 01:23:05,520
stay there.

2824
01:23:00,590 --> 01:23:05,520



2825
01:23:00,600 --> 01:23:05,520
The film was shot in 1916.

2827
01:23:07,880 --> 01:23:09,900
[music]

2829
01:23:13,120 --> 01:23:15,140
>> [music]

2831
01:23:19,670 --> 01:23:21,690
[music]

2833
01:23:25,570 --> 01:23:27,590
[music]

2835
01:23:32,770 --> 01:23:34,790
[music]

2837
01:23:38,520 --> 01:23:41,340
>> Oh. [music]

2839
01:23:48,490 --> 01:23:51,600
[music] เฮ

2841
01:23:55,040 --> 01:23:57,060
[music]

2843
01:24:02,250 --> 01:24:04,270
[music]

2845
01:24:08,800 --> 01:24:10,820
[music]

2847
01:24:15,350 --> 01:24:17,370
[music]

2849
01:24:22,550 --> 01:24:24,570
>> [music]

2851
01:24:29,760 --> 01:24:31,780
[music]

2853
01:24:36,960 --> 01:24:38,980
[music]

2855
01:24:46,130 --> 01:24:48,150
[music]

2857
01:24:51,370 --> 01:24:53,390
[music]

2859
01:24:59,890 --> 01:25:01,910
[music]

2861
01:25:03,280 --> 01:25:06,280
>> Light

2863
01:25:07,360 --> 01:25:12,640
>> they didn't laugh.

2864
01:25:09,750 --> 01:25:12,640



2865
01:25:09,760 --> 01:25:13,600
Have you seen those artists? But they weren't

2866
01:25:12,630 --> 01:25:13,600



2867
01:25:12,640 --> 01:25:17,480
big?

2868
01:25:13,590 --> 01:25:17,480



2869
01:25:13,600 --> 01:25:18,920
>> Yes, they really were great artists

2870
01:25:17,470 --> 01:25:18,920



2871
01:25:17,480 --> 01:25:20,640
and all the films that have gone

2872
01:25:18,910 --> 01:25:20,640



2873
01:25:18,920 --> 01:25:26,640
destroyed they were like these

2874
01:25:20,630 --> 01:25:26,640



2875
01:25:20,640 --> 01:25:26,640
>> all. Too bad, really bad.

2877
01:25:33,200 --> 01:25:37,640
Detainee 345 interviewed.

2878
01:25:35,550 --> 01:25:37,640



2879
01:25:35,560 --> 01:25:38,680
>> Who is he? My daughter?

2880
01:25:37,630 --> 01:25:38,680



2881
01:25:37,640 --> 01:25:41,040
>> No, the lawyer.

2882
01:25:38,670 --> 01:25:41,040



2883
01:25:38,680 --> 01:25:42,880
>> But why doesn't my daughter come? Also

2884
01:25:41,030 --> 01:25:42,880



2885
01:25:41,040 --> 01:25:44,120
you, therefore, believe me guilty.

2886
01:25:42,870 --> 01:25:44,120



2887
01:25:42,880 --> 01:25:46,360
>> Come on, let's hurry.

2888
01:25:44,110 --> 01:25:46,360



2889
01:25:44,120 --> 01:25:48,800
>> Ah, jailer, you cannot understand me.

2890
01:25:46,350 --> 01:25:48,800



2891
01:25:46,360 --> 01:25:51,040
All my life I have created, I have

2892
01:25:48,790 --> 01:25:51,040



2893
01:25:48,800 --> 01:25:53,440
hoped, I dreamed that one day with i

2894
01:25:51,030 --> 01:25:53,440



2895
01:25:51,040 --> 01:25:56,280
white hair I could have picked

2896
01:25:53,430 --> 01:25:56,280



2897
01:25:53,440 --> 01:25:59,960
the fruits of my labor. Instead

2898
01:25:56,270 --> 01:25:59,960



2899
01:25:56,280 --> 01:26:02,520
only contempt and shame for a fault

2900
01:25:59,950 --> 01:26:02,520



2901
01:25:59,960 --> 01:26:04,440
which I didn't do.

2902
01:26:02,510 --> 01:26:04,440



2903
01:26:02,520 --> 01:26:06,200
>> Stop. This is good.

2904
01:26:04,430 --> 01:26:06,200



2905
01:26:04,440 --> 01:26:06,520
>> Good. I'll go call him.

2906
01:26:06,190 --> 01:26:06,520



2907
01:26:06,200 --> 01:26:07,560
>> No, no,

2908
01:26:06,510 --> 01:26:07,560



2909
01:26:06,520 --> 01:26:09,400
>> Mariannina,

2910
01:26:07,550 --> 01:26:09,400



2911
01:26:07,560 --> 01:26:11,320
>> sorry. Here I am.

2912
01:26:09,390 --> 01:26:11,320



2913
01:26:09,400 --> 01:26:12,440
>> Let's go. Don't you want to say goodbye, mom?

2914
01:26:11,310 --> 01:26:12,440



2915
01:26:11,320 --> 01:26:14,800
Why?

2916
01:26:12,430 --> 01:26:14,800



2917
01:26:12,440 --> 01:26:16,520
>> Sentimentality. He did something to me

2918
01:26:14,790 --> 01:26:16,520



2919
01:26:14,800 --> 01:26:19,480
impression to see my old man again

2920
01:26:16,510 --> 01:26:19,480



2921
01:26:16,520 --> 01:26:21,120
art companion at work. It still is

2922
01:26:19,470 --> 01:26:21,120



2923
01:26:19,480 --> 01:26:23,480
good, right?

2924
01:26:21,110 --> 01:26:23,480



2925
01:26:21,120 --> 01:26:25,520
>> For me it's enough that it doesn't ruin the movie for me.

2926
01:26:23,470 --> 01:26:25,520



2927
01:26:23,480 --> 01:26:27,400
You had a certain way of acting

2928
01:26:25,510 --> 01:26:27,400



2929
01:26:25,520 --> 01:26:29,640
those times, but you know he already has me

2930
01:26:27,390 --> 01:26:29,640



2931
01:26:27,400 --> 01:26:31,160
asked for an advance twice? Who knows

2932
01:26:29,630 --> 01:26:31,160



2933
01:26:29,640 --> 01:26:33,760
what will he do with the money.

2934
01:26:31,150 --> 01:26:33,760



2935
01:26:31,160 --> 01:26:38,200
>> Try to make it work. He has a lot of it

2936
01:26:33,750 --> 01:26:38,200



2937
01:26:33,760 --> 01:26:38,200
need now that he has lost everything.

2939
01:26:38,400 --> 01:26:41,120
>> Look how they set me up for the

2940
01:26:40,030 --> 01:26:41,120



2941
01:26:40,040 --> 01:26:42,800
part of the servant.

2942
01:26:41,110 --> 01:26:42,800



2943
01:26:41,120 --> 01:26:44,760
>> And look how they messed me up for

2944
01:26:42,790 --> 01:26:44,760



2945
01:26:42,800 --> 01:26:46,520
your fault. O Mary, let's go for the former

2946
01:26:44,750 --> 01:26:46,520



2947
01:26:44,760 --> 01:26:48,800
floor. Come on, let's not waste time. Say it

2948
01:26:46,510 --> 01:26:48,800



2949
01:26:46,520 --> 01:26:52,000
the 50th. Yes, sitting here. She had the

2950
01:26:48,790 --> 01:26:52,000



2951
01:26:48,800 --> 01:26:53,720
bread, right? There, good. Yes, stop. Here they are.

2952
01:26:51,990 --> 01:26:53,720



2953
01:26:52,000 --> 01:26:55,160
The look at me. Oh, me.

2954
01:26:53,710 --> 01:26:55,160



2955
01:26:53,720 --> 01:26:56,800
>> A little worried.

2956
01:26:55,150 --> 01:26:56,800



2957
01:26:55,160 --> 01:26:59,800
>> Yeah, a little worried. By force. It's in

2958
01:26:56,790 --> 01:26:59,800



2959
01:26:56,800 --> 01:26:59,800
prison.

2961
01:27:01,060 --> 01:27:03,080
>> [music]

2963
01:27:06,960 --> 01:27:08,980
[music]

2965
01:27:14,820 --> 01:27:16,840
[music]

2967
01:27:22,020 --> 01:27:26,800
[music]

2968
01:27:24,030 --> 01:27:26,800



2969
01:27:24,040 --> 01:27:28,280
>> The great officer Ettore Omeri has

2970
01:27:26,790 --> 01:27:28,280



2971
01:27:26,800 --> 01:27:30,560
accepted [music] to be an actor in

2972
01:27:28,270 --> 01:27:30,560



2973
01:27:28,280 --> 01:27:32,720
talking films that he had always rejected

2974
01:27:30,550 --> 01:27:32,720



2975
01:27:30,560 --> 01:27:34,720
to go and see and the money that

2976
01:27:32,710 --> 01:27:34,720



2977
01:27:32,720 --> 01:27:38,200
earns [music] spends them again

2978
01:27:34,710 --> 01:27:38,200



2979
01:27:34,720 --> 01:27:41,320
everyone here at Macero to save old women

2980
01:27:38,190 --> 01:27:41,320



2981
01:27:38,200 --> 01:27:43,640
films and pass them on to posterity. The

2982
01:27:41,310 --> 01:27:43,640



2983
01:27:41,320 --> 01:27:46,560
his passion, like all true greats

2984
01:27:43,630 --> 01:27:46,560



2985
01:27:43,640 --> 01:27:49,080
[music] passions, it is incurable. Hope

2986
01:27:46,550 --> 01:27:49,080



2987
01:27:46,560 --> 01:27:51,760
to remake his destroyed collection and

2988
01:27:49,070 --> 01:27:51,760



2989
01:27:49,080 --> 01:27:54,120
to see her one day figure worthily

2990
01:27:51,750 --> 01:27:54,120



2991
01:27:51,760 --> 01:27:56,360
in some museum, like paintings,

2992
01:27:54,110 --> 01:27:56,360



2993
01:27:54,120 --> 01:27:57,680
[music] the statues, the prints, the books,

2994
01:27:56,350 --> 01:27:57,680



2995
01:27:56,360 --> 01:27:59,560
the newspapers.

2996
01:27:57,670 --> 01:27:59,560



2997
01:27:57,680 --> 01:28:01,980
He does not allow men to throw away

2998
01:27:59,550 --> 01:28:01,980



2999
01:27:59,560 --> 01:28:04,760
so light-heartedly such a document

3000
01:28:01,970 --> 01:28:04,760



3001
01:28:01,980 --> 01:28:07,240
[music] precious from their past.

3002
01:28:04,750 --> 01:28:07,240



3003
01:28:04,760 --> 01:28:10,040
Why not review the old movies there

3004
01:28:07,230 --> 01:28:10,040



3005
01:28:07,240 --> 01:28:12,960
they show with such ruthless crudeness the

3006
01:28:10,030 --> 01:28:12,960



3007
01:28:10,040 --> 01:28:14,560
tastes and weaknesses of our fathers? E

3008
01:28:12,950 --> 01:28:14,560



3009
01:28:12,960 --> 01:28:18,280
why not grant [music] to ours

3010
01:28:14,550 --> 01:28:18,280



3011
01:28:14,560 --> 01:28:20,960
children to laugh at today's films?

3012
01:28:18,270 --> 01:28:20,960



3013
01:28:18,280 --> 01:28:23,680
Old Mary thinks that if men

3014
01:28:20,950 --> 01:28:23,680



3015
01:28:20,960 --> 01:28:26,560
they observed each other more and had less

3016
01:28:23,670 --> 01:28:26,560



3017
01:28:23,680 --> 01:28:28,680
afraid of one's own flaws, [music] perhaps

3018
01:28:26,550 --> 01:28:28,680



3019
01:28:26,560 --> 01:28:31,640
they would make fewer errors and

3020
01:28:28,670 --> 01:28:31,640



3021
01:28:28,680 --> 01:28:33,420
old Omeri probably hasn't

3022
01:28:31,630 --> 01:28:33,420



3023
01:28:31,640 --> 01:28:35,440
wrong.

3024
01:28:33,410 --> 01:28:35,440



3025
01:28:33,420 --> 01:28:35,440
>> [music]

3027
01:28:41,280 --> 01:28:43,300
[music]

3029
01:28:51,110 --> 01:28:53,130
[music]